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A poet watches the limbs of a eucalyptus tree get sawed off: the image persists, refracting and recurring across poems of art, language, selfhood, memory, and loss.
Joan Mitchell said, When I talk about love, I mean loving a tree. When I talk about love, I mean loving where a tree used to be.
Men assess the eucalyptus tree growing on the poet's street; a crane arrives. The sound of a chainsaw rings in the air and branches begin to fall. This tree-cutting haunts the poet and becomes the locus from which the rest of the collection spirals. It refracts across works by artists such as Pablo Picasso, Joan Mitchell, and Hilma af Klint, whose painting series lends the collection its title and who becomes a model for engaging with the world. At the core of the collection, the long poem "Eureka" examines the violent 1885 expulsion of Chinese Americans from the eponymous California town. Roving, evocative, and intricate, Tree of Knowledge is rooted in Victoria Chang's crystalline voice and generous, probing gaze, and by certain images ―trees, a hanging figure, a branch, fingertips, a briefcase―that resurface like apparitions.
"Readers will revel in the exquisite balance achieved by each poem. This is a work of rapture and hard-won revelation." ―Publishers Weekly (starred review)
"Incredible ... Chang changes the way readers see art, the world, and themselves in this contemplative epic that rivals the major works of Wallace Stevens and A. R. Ammons. Highly recommended for all poetry collections." ―Library Journal (starred review)
This information about Tree of Knowledge was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Victoria Chang has written several books of poetry, including With My Back to the World and The Trees Witness Everything, and a nonfiction book, Dear Memory: Letters on Writing, Silence, and Grief. Her poetry collection OBIT was named a New York Times Notable Book; received the Los Angeles Times Book Prize, the Anisfield-Wolf Book Award, and the PEN/Voelcker Award; was long-listed for the National Book Award; and was named a finalist for the National Book Critics Circle Award and the Griffin International Poetry Prize. With My Back to the World received the Forward Prize for Best Collection of Poetry and was short-listed for the PEN/Jean Stein Award, the California Book Award, and the Kingsley Tufts Award. Chang has received a Guggenheim Fellowship, a National Endowment for the Arts Fellowship, and the Chowdhury Prize in Literature. She is the Bourne Chair in Poetry at Georgia Tech and the director of Poetry@Tech.
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