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A Novel
by Rachel Heng
Set against a changing Singapore, a sweeping novel about one boy's unique gifts and the childhood love that will complicate the fate of his community and country.
Ah Boon is born into a fishing village amid the heat and beauty of twentieth-century coastal Singapore in the waning years of British rule. He is a gentle boy who is not much interested in fishing, preferring to spend his days playing with the neighbor girl, Siok Mei. But when he discovers he has the unique ability to locate bountiful, movable islands that no one else can find, he feels a new sense of obligation and possibility—something to offer the community and impress the spirited girl he has come to love.
By the time they are teens, Ah Boon and Siok Mei are caught in the tragic sweep of history: the Japanese army invades, the resistance rises, grief intrudes, and the future of the fishing village is in jeopardy. As the nation hurtles toward rebirth, the two friends, newly empowered, must decide who they want to be, and what they are willing to give up.
An aching love story and powerful coming-of-age that reckons with the legacy of British colonialism, the World War II Japanese occupation, and the pursuit of modernity, The Great Reclamation confronts the wounds of progress, the sacrifices of love, and the difficulty of defining home when nature and nation collide, literally shifting the land beneath people's feet.
"Heng wrings a great deal of emotion from Boon's experiences and relationships...skillfully capturing the inner psyche of a Singaporean everyman caught between two immovable worlds. This epic undertaking is not to be missed." —Publishers Weekly (starred review)
"[A] story scaffolded against a sweeping backdrop—the politics of colonialism, World War II in Southeast Asia, ecology, the inexorable forces of development and modernization—with very little of that ever mentioned, instead focusing on the experiences of the characters in language of perfect simplicity...Like a drop of rain that holds the reflection of the world, crystalline and beautiful." —Kirkus Reviews (starred review)
"Heng captures the individual and collective challenges of being human, and explores what a modern country might become after the disruption and displacement of World War II. Every bit of it is a delight." —BookPage (starred review)
"A gorgeous novel about love, fate, free-will, and how, in wartime, one person's choices can have long-lasting consequences. The Great Reclamation is as sweeping as it is specific. Ah Boon's story will stay with me for a long time." —Lara Prescott, New York Times bestselling author of The Secrets We Kept
"Gorgeously written and compulsively readable, The Great Reclamation is both an intimate love story and an epic historical tale that is sure to be read for years to come. Heng's writing is full of rich, sensuous detail—mysteriously appearing islands, the smell of rain on hot monsoon evenings, the fierce burn of a rubber seed when pressed against the skin—that mesmerizes on every page. She deals with difficult questions—who, and what, are we willing to sacrifice in the name of progress?—while never losing sight of the complex humanity of her characters." —Julie Otsuka, author of The Buddha in the Attic
This information about The Great Reclamation was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Born and raised in Singapore, Rachel Heng is the author of the novel Suicide Club, translated into ten languages. Her short fiction has appeared in The New Yorker, Glimmer Train, McSweeney's, and elsewhere. She received her MFA from the Michener Center for Writers and has received grants and fellowships from the National Endowment for the Arts, Sewanee Writers' Conference, and the National Arts Council of Singapore, among others. She is currently an assistant professor of English at Wesleyan University.
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