A Novel
by Elaine Hsieh Chou
A Taiwanese American woman's coming-of-consciousness ignites eye-opening revelations and chaos on a college campus in this outrageously hilarious and startlingly tender debut novel.
Twenty-nine-year-old PhD student Ingrid Yang is desperate to finish her dissertation on the late canonical poet Xiao-Wen Chou and never read about "Chinese-y" things again. But after years of grueling research, all she has to show for her efforts are junk food addiction and stomach pain. When she accidentally stumbles upon a curious note in the Chou archives one afternoon, she convinces herself it's her ticket out of academic hell.
But Ingrid's in much deeper than she thinks. Her clumsy exploits to unravel the note's message lead to an explosive discovery, upending not only her sheltered life within academia but her entire world beyond it. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a roller coaster of mishaps and misadventures, from book burnings and OTC drug hallucinations, to hot-button protests and Yellow Peril 2.0 propaganda.
In the aftermath, nothing looks the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the super kawaii Japanese author he's translated, doubts and insecurities creep in for the first time… As the events Ingrid instigated keep spiraling, she'll have to confront her sticky relationship to white men and white institutions—and, most of all, herself.
For readers of Paul Beatty's The Sellout and Charles Yu's Interior Chinatown, this uproarious and bighearted satire is a blistering send-up of privilege and power in America, and a profound reckoning of individual complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Elaine Hsieh Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.
"Chou's distinct, self-effacing voice makes for a fun ride into a highly charged realm, with a plot that naturally escalates as she looks into various claims about truth in art, who appropriates whom, the limits of allyship, and how we gaslight ourselves in order to accept everyday racial horrors. Chou reflects a world that's complex and entertaining, one that will leave readers with a renewed perspective." —Booklist (starred review)
"Chou effectively skewers a world that takes itself all too seriously ... This will charm a wide set of readers, not just those pursuing PhDs." —Publishers Weekly
"Chou's pen is a scalpel. Disorientation addresses the private absurdities the soul must endure to get free, from tokenism, the quiet exploitation of well-meaning institutions, and the bondage that is self-imposed. Chou does it with wit and verve, and no one is spared." —Raven Leilani, author of Luster
"Disorientation is the funniest novel I've read all year ... This uproarious tale of a young woman's quest to uncover the truth about the world's most famous Chinese American poet is packed full of sly truths about race, love, and life in general—all of which you're going to miss, because you'll be laughing so hard." —Aravind Adiga, author of The White Tiger
This information about Disorientation was first featured
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Elaine Hsieh Chou is a Taiwanese American writer from California. A former Rona Jaffe Graduate Fellow at NYU and NYFA Artist Fellow, her Pushcart Award-winning short fiction appears in Guernica, Black Warrior Review, Tin House Online, Ploughshares, The Atlantic and elsewhere. She is the recipient of the 2023 Fred R. Brown Literary Award. Her short story collection Where Are You Really From is forthcoming from Penguin Press. Find her at www.elainehsiehchou.com.

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