A Memoir
by Phill Branch
In this raw and lyrical memoir as rich and insightful as How to Say Babylon and as vulnerable and provocative as Heavy, an Emmy Award-winning director chronicles his struggle to break free from—and live outside of—the prescribed paradigms of Blackness and masculinity that shaped him.
Long before every moment of our lives was tracked by technology, Phill Branch was under surveillance. His father was a football-playing, weed-smoking, Army vet—the guy men wanted to be around, and women loved. Phill was different. His father treated him as if he were defective and continually searched for proof to support this belief. Phill paid greatly for his failures at boyhood, especially when he was caught playing jump rope with girls. This taught him there were standards to be met, codes that were not to be violated, and strict punishment for any deviation from a Black man's assigned position in the world.
In this poignant, illuminating personal narrative, Branch reckons with the patriarchy and tradition of these social structures in Black America, their legacy, and how they molded and silenced him. Taking us from Newark, New Jersey, to Los Angeles, California, Branch writes unflinchingly about growing up as the queer black son of a complicated and often absent father with rigid ideas of masculinity. From early inappropriate relationships with men twice his age, to his successful rebranding at Hampton University, to the dichotomy of Hollywood—living in a world of wealthy celebrities while struggling to survive as a writer—Branch navigates his complex emotions surrounding success, perceptions of manhood, and ultimately his father.
The Double Dutch Fuss recounts growing up under the heavy burden of expectation—to be a boy, to be Black, and to be queer in ways that conform to rigid, often unforgiving norms. It is about the knotted path of becoming, while navigating the always-present fear of emotional and physical violence, and the threat of isolation for simply being who you are. Branch explores the cosmic pull between fathers and sons, and how healing wounds can open a pathway toward freedom and wholeness. His is an insightful and surprisingly humorous reflection on identity, masculinity, and the quiet, radical act of choosing to exist on your own terms.
"Branch's storytelling background is infused throughout his debut memoir. Each chapter flows seamlessly into the next as he recounts feelings of loneliness and frustration while pretending...Branch's coming of age and family dynamics intertwine toward a commendable conclusion. Fans of similarly themed book club–worthy nonfiction, such as Edgar Gomez's High-Risk Homosexual, will snatch this up." —Library Journal (starred review)
"Unflinching and compassionate in equal measure, Branch's moving autobiography probes the fragile process of forgiveness and the enduring ties between fathers and sons. It's a resonant story of reconciliation and self-acceptance." —Publishers Weekly
"Professional storyteller Branch puts his skills to good use in this thoughtful memoir, which takes its title from a climacteric childhood memory—namely, his father's revulsion in the boy's jumping rope with girls in the schoolyard….Childhood verges into adolescence and adulthood, marked by self-discovery: of his fears, of his sexuality, of how to negotiate a household where silence reigned—"all silence unless it was shouting." In a wonderful moment, when he decides to come out to friends, their responses range from "That's it?" to "Congratulations!" to "I don't give a fuck"—proof that the anticipation is all too often much worse than the reality…. A well-crafted coming of age story marked by constant trials—but, happily, success as well." —Kirkus Reviews
"When wielded responsibly, humor can heal and also educate. Phill exhibits this ability with great profundity as he shows us how fathers shape us even when they don't know how to love us well." —Roy Wood Jr., author of The Man of Many Fathers
"Raw, honest, heartbreaking, and laugh-out-loud funny—The Double Dutch Fuss will inspire and uplift. In these times when hope feels fragile, it delivers the encouragement we all need: No matter how difficult the journey, our dreams are always attainable." ―Bernice L. McFadden, author of Firstborn Girls
This information about The Double Dutch Fuss was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Phill Branch is a writer, live performance storyteller, and regional Emmy Award-winning filmmaker. He is a 2025 recipient of the Maryland State Arts Council's Creativity Grant and received the Council's highest honor, the Individual Artist Award, for Theater (Solo Performance) in 2019. He was the GrandSLAM Champion of The Moth in D.C. in 2018 and has since traveled all over the country and overseas to tell stories with the organization. Branch was a 2014 Lambda Literary Nonfiction Emerging Voices Fellow and is the founder and Creative Director of Baltimore Story Fest, a showcase for live, personal storytelling. An alumnus of the American Film Institute, Branch has an MFA in Screenwriting. He earned his BA in Mass Media Arts at Hampton University and later returned as a professor in the English department to teach writing and develop the Film Studies program. Currently, Branch is a Resident Artist at the Howard County Center for the Arts in Maryland.

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