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by Penelope Fitzgerald
A London theater school resists the cultural shifts of the 1960s in this novel by the Booker Prize-winning author—with an introduction by Simon Callow.
It is the 1960s, and London's West End theaters all rely on Freddie Wentworth, the formidable proprietress of the Temple Stage School, to supply them with child actors for their productions of everything from Shakespeare to musicals to Christmas pantomimes. Of unknown age and origin, Freddie is a skirt-swathed enigma—a woman who by sheer force of character has turned herself and her school into a national institution. But as the cultural revolution transforms London, not even Freddie can keep its influence at bay.
Basing this intimate novel on her experiences teaching at London's Italia Conti stage school, Penelope Fitzgerald spins the story of Jonathan, a child actor of great promise, and his slick rival Mattie; Joey Blatt, who has wicked plans to rescue Freddie's from insolvency; and Freddie herself, who faces an increasingly urgent choice between her principles and the school's survival.
"A work of immense poise and dignity, but warmth and humor, too... This is definitely one of the most charming - but strongly textured - novels anyone will read in a long while." —Booklist
"Fiztgerald is a deft and nimble writer...[who] displays the English gift for understatement. Her apt phrases are tossed off casually; her humor is flicked at us airily. [At Freddie's] is intriguing to the end." —The Washington Post
This information about At Freddie's was first featured
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Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Penelope Fitzgerald wrote many books small in size but enormous in popular and critical acclaim over the past two decades. Over 300,000 copies of her novels are in print, and profiles of her life appeared in both The New Yorker and The New York Times Magazine. In 1979, her novel Offshore won Britain's Booker Prize, and in 1998 she won the National Book Critics Circle Prize for The Blue Flower. Though Fitzgerald embarked on her literary career when she was in her 60's, her career was praised as "the best argument ... for a publishing debut made late in life" (New York Times Book Review). She told the New York Times Magazine, "In all that time, I could have written books and I didn't. I think you can write at any time of your life." Dinitia Smith, in her New York Times Obituary of May 3, 2000, quoted Penelope Fitzgerald from 1998 as saying, "I have remained true to my deepest convictions, I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as comedy, for otherwise how can we manage to bear it?"
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