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How to Love Shakespeare While Talking About Race
by Farah Karim-Cooper
As we witness monuments of white Western history fall, many are asking how is Shakespeare still relevant?
Professor Farah Karim-Cooper has dedicated her career to the Bard, which is why she wants to take the playwright down from his pedestal to unveil a Shakespeare for the twenty-first century. If we persist in reading Shakespeare as representative of only one group, as the very pinnacle of the white Western canon, then he will truly be in peril.
Combining piercing analysis of race, gender and otherness in famous plays from Antony and Cleopatra to The Tempest with a radical reappraisal of Elizabethan London, The Great White Bard asks us neither to idealize nor bury Shakespeare but instead to look him in the eye and reckon with the discomforts of his plays, playhouses and society. In inviting new perspectives and interpretations, we may yet prolong and enrich his extraordinary legacy.
"Illuminating both words and performance—an essential addition to Shakespeare studies." —Kirkus Reviews (starred review)
"The rigorous and nuanced analysis stimulates, and Karim-Cooper's evenhanded approach refuses to excuse Shakespeare's racism while insisting that his plays still have much to offer modern audiences. This is a vital contribution to the shelf on Shakespeare." —Publishers Weekly (starred review)
"This text is essential to understanding the concept of racial identities in Shakespeare's era...and the cultural nostalgia around his work... The Great White Bard is jam packed with essential questions about Shakespeare's work and includes perspectives that are often ignored in scholarship in the area. Highly recommended for both academic and public libraries." —Booklist (starred review)
"Karim-Cooper's candid discussion of more nuanced and informed approaches to interpreting Shakespeare can only help his work endure." —BookPage (starred review)
"Her arguments, cumulatively, come to feel essential and should be absorbed by every theatre director, writer, critic, interested in finding new ways into the work" —The Guardian
"She concludes… "We all have the right to claim the Bard" Amen to that." —Daily Telegraph (UK)
"Farah Karim-Cooper's analysis comes from a wide and fascinating perspective. This is an accessible yet scholarly book guiding the reader through essential questions about race, gender and so much more in Shakespeare's plays. It is personal, refreshing and necessary. She has helped me reframe and understand Shakespeare in a different way. Read it and learn!'" —Lolita Chakrabarti OBE, award winning playwright of Life of Pi
"The Great White Bard is essential reading for teachers, students, practitioners and artists. It makes clear why the exploration of Shakespeare's plays must expose the 400-year-old cultural attitudes contained in them if we are to discover their real relevance and resonance. Farah Karim-Cooper has written an important, illuminating and accessible work that invites our active participation in debate about the plays; to interpret and interrogate them, not to venerate. It belongs in every Shakespeare classroom.'" —Jacqui O'Hanlon, Director of Learning, Royal Shakespeare Company
This information about The Great White Bard was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Farah Karim-Cooper is a Director of Education at Shakespeare's Globe and a professor of literature and Shakespeare studies at King's College London; she was president of the Shakespeare Association of America from 2021 to 2022 after serving three years on the board of trustees. The holder of an Oxford University TORCH Humanities Cultural Programme Fellowship, she was a visiting fellow of Exeter College, Oxford, from 2022 to 2023. She curated the Globe Theatre's Shakespeare and Race festivals and its Anti-Racist Shakespeare webinar series. She is a general coeditor of the Folger Shakespeare Editions and the author of works on Shakespeare including Cosmetics in Shakespearean and Renaissance Drama, The Hand on the Shakespearean Stage, and most recently Titus Andronicus: The State of Play.
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