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With "a voice as clear, sincere, and wry as any I've read in current American fiction" (Joshua Cohen), Martin Riker's poignant and startlingly original novel asks how to foster a brave mind in anxious times, following a newly jobless academic rehearsing a speech on John Maynard Keynes for a surprising audience.
In a hotel room in the middle of the night, Abby, a young feminist economist, lies awake next to her sleeping husband and daughter. Anxious that she is grossly underprepared for a talk she is presenting tomorrow on optimism and John Maynard Keynes, she has resolved to practice by using an ancient rhetorical method of assigning parts of her speech to different rooms in her house and has brought along a comforting albeit imaginary companion to keep her on track—Keynes himself.
Yet as she wanders with increasing alarm through the rooms of her own consciousness, Abby finds herself straying from her prepared remarks on economic history, utopia, and Keynes's pragmatic optimism. A lapsed optimist herself, she has been struggling under the burden of supporting a family in an increasingly hostile America after being denied tenure at the university where she teaches. Confronting her own future at a time of global darkness, Abby undertakes a quest through her memories to ideas hidden in the corners of her mind—a piecemeal intellectual history from Cicero to Lewis Carroll to Queen Latifah—as she asks what a better world would look like if we told our stories with more honest and more hopeful imaginations.
With warm intellect, playful curiosity, and an infectious voice, Martin Riker acutely animates the novel of ideas with a beating heart and turns one woman's midnight crisis into the performance of a lifetime.
"Riker spins a brilliant and innovative exploration of modern economic history in the form of a late-night waking dream ... Abby's metaphysical wanderings swell to a scorching condemnation of modern life and an empathetic celebration of its meaningful moments. It's a transporting, clever, and inspired work of fiction." - Publishers Weekly (starred review)
"On the eve of a guest lecture she's set to deliver—to an audience whose identity is never fully revealed—economics professor Abby wrestles with thorny theoretical issues and a few problems closer to home ... [A] unique novel of ideas. A thoughtful and thought-filled stroll down a life's Memory Lane." - Kirkus Reviews
"Keynes himself declared that 'words ought to be a little wild,' and this clever, provocative novel, with its hard-wrought optimism, honors that call to disrupt." - Booklist
"The Guest Lecture is so funny and sad and smart about its sadness. Its topicality isn't cheap, but deep and earned—our own—founded in the way thinking and feeling have been ceded to politics, often by those of us who think and feel the most. Martin Riker has written a major novel of bizarro feminism, language, love, family, money, and whatever the hell it means to own, or make, or be, a 'property,' in a voice as clear, sincere, and wry as any I've read in current American fiction." - Joshua Cohen, author of The Netanyahus, winner of the Pulitzer Prize
This information about The Guest Lecture was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Martin Riker is the co-founder and publisher of the feminist press Dorothy, a Publishing Project, and the author of Samuel Johnson's Eternal Return. He teaches in the English department at Washington University in St. Louis, and his criticism has appeared in the Wall Street Journal and the New York Times, among other publications.
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