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by Elizabeth Alexander
From a Pulitzer Prize finalist and New York Times bestselling author and poet comes a galvanizing meditation on the power of art and culture to illuminate America's unresolved problem with race.
In the midst of civil unrest in the summer of 2020 and following the murders of George Floyd, Breonna Taylor, and Ahmaud Arbery, Elizabeth Alexander—one of the great literary voices of our time—turned a mother's eye to her sons' and students' generation and wrote a celebrated and moving reflection on the challenges facing young Black America. Originally published in the New Yorker, the essay incisively and lovingly observed the experiences, attitudes, and cultural expressions of what she referred to as the Trayvon Generation, who even as children could not be shielded from the brutality that has affected the lives of so many Black people.
The Trayvon Generation expands the viral essay that spoke so resonantly to the persistence of race as an ongoing issue at the center of the American experience. Alexander looks both to our past and our future with profound insight, brilliant analysis, and mighty heart, interweaving her voice with groundbreaking works of art by some of our most extraordinary artists. At this crucial time in American history when we reckon with who we are as a nation and how we move forward, Alexander's lyrical prose gives us perspective informed by historical understanding, her lifelong devotion to education, and an intimate grasp of the visioning power of art.
This breathtaking book is essential reading and an expression of both the tragedies and hopes for the young people of this era that is sure to be embraced by those who are leading the movement for change and anyone rising to meet the moment.
"Poet and memoirist Alexander expands on her New Yorker essay in this vigorous and inspiring reflection on how Black art reckons with the traumas of racism and racial violence...By capturing the rich spectrum of Black culture in America, Alexander offers hope and instruction for younger generations. The result is a thought-provoking must-read." - Publishers Weekly (starred review)
"[T]his is a powerful treatise on the humanity of Black Americans and how it has been denied, how generations of people have persisted despite that fact, and how it continues to be one of the most pressing issues we face as a nation. A dynamic critique on the sprawling effects of racism and its effects on today's youth." - Kirkus Reviews (starred review)
"Poet and memoirist Alexander deftly blends family history and cultural criticism in this bittersweet essay...on race, memory, and memorialization…Alexander is a thoughtful and eloquent chronicler of racial anxiety and pain." - Booklist (starred review)
"A very moving short book that seeks to challenge readers' assumptions about American society; highly recommended for all libraries and for reading groups." - Library Journal (starred review)
"The Trayvon Generation is definitely essential reading for every generation." - Cosmopolitan
This information about The Trayvon Generation was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Elizabeth Alexander is a prize-winning and New York Times bestselling author, renowned American poet, educator, scholar, and cultural advocate. Her memoir, The Light of the World, was a finalist for the Pulitzer Prize and National Book Critics Circle Awards. She composed and recited "Praise Song for the Day" for President Barack Obama's 2009 inauguration and is currently president of the Andrew W. Mellon Foundation, the nation's largest funder in the arts, culture, and humanities.
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