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Published Mar 2021
224 pages
Genre: Essays
Publication Information
A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a more wild, more "monstrous" version of feminism.
The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds--who are angry or greedy or ambitious, who are overtly sexual or not sexy enough--aren't just outside the norm. They're unnatural. Monstrous. But maybe, the traits we've been told make us dangerous and undesirable are actually our greatest strengths.
Through fresh analysis of eleven female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match.
Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we're told fall outside the bounds of natural femininity. But monsters also get to do what other female characters--damsels, love interests, and even most heroines--do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us--harassed, shut out, and ruled by predators--women have never been more ready to become repellent, fearsome, and ravenous.
"A witty and erudite exploration of the enduring influence of the female monsters in Greek myths... A graceful stylist who casts a wide literary and geographical net, Zimmerman can make nearly anything interesting...A sparkling and perceptive critique of ancient ideas that still hold women back." - Kirkus Reviews (starred review)
"Zimmerman's skillful pairing of ancient and modern, universal and personal, leads to nuanced discussions of how society suppresses female individuality. Zimmerman's call for women to reclaim their own monstrosity rings loud and clear." - Publishers Weekly
"A thoughtful and deeply personal set of meditations on two subjects dear to my heart. Though as I read this, I couldn't help but feel that it had been written for me personally, I suspect that it was written for you too." - Kelly Link
"Women and Other Monsters reconsiders and spins anew myths that have long instructed and inspired us, detailing modern and longstanding terrors women face while illuminating the monstrous powers we may yet reclaim. I started to make a list of people I wanted to give this book to, then realized the answer was just 'everyone I know.' Jess Zimmerman's writing is always a gift, and this is a work of epic bravery and beauty, brimming with insights that slice to the bone." - Nicole Chung, author of All You Can Ever Know: A Memoir
"Every one of these essays is muscular and dangerous, with a mouth full of teeth. Women and Other Monsters is sure to become a feminist classic." - Carmen Maria Machado, author of In the Dream House
This information about Women and Other Monsters was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Jess Zimmerman is the editor in chief of Electric Literature. Her essays, fiction, opinion pieces, and prose poetry have appeared in publications including Slate, the Cut, the Guardian, Catapult, Hazlitt, and the New Republic. She lives in Brooklyn.
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