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The Party Upstairs: Book summary and reviews of The Party Upstairs by Lee Conell

The Party Upstairs

by Lee Conell

The Party Upstairs by Lee Conell X
The Party Upstairs by Lee Conell
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  • Published Jul 2020
    320 pages
    Genre: Literary Fiction

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Book Summary

An electrifying debut novel that unfolds in the course of a single day inside one genteel New York City apartment building, as tensions between the building's super and his grown-up daughter spark a crisis that will, by day's end, change everything.

Ruby has a strange relationship to privilege. She grew up the super's daughter in the basement of an Upper West Side co-op that gets more gentrified with each passing year. Though not economically privileged herself, her close childhood friendship with Caroline, the daughter of affluent tenants, and the mere fact of living in such a wealthy neighborhood, close to her beloved Natural History Museum, brought her certain advantages, even expectations. Naturally Ruby followed her dreams and took out loans to attend a prestigious small liberal arts college and explore her interest in art. But now, out of school for a while, she is no closer to her dream job, or anything resembling it, and she's been forced by circumstances to do the last thing she wanted to do: move back in with her parents, back into the basement. And Caroline is throwing one of her parties tonight, in her father's glorious penthouse apartment, a party Ruby looks forward to and dreads in equal measure.

With a thriller's narrative control, The Party Upstairs distills worlds of wisdom about families, great expectations, and the hidden violence of class into the gripping, darkly witty story of a single fateful day inside the Manhattan co-op Ruby calls home. Told from the alternating points of view of Ruby and her father, the novel builds from the spark of an early morning argument between them to the ultimate conflagration to which it leads by day's end. By the time the ashes have cooled, the façade that masks the building's power structure will have burned away, and no party will be left unscathed.

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Reviews

Media Reviews

"[A] vivacious microcosm of life...Conell's talent for storytelling, wicked sense of humor, and compassion for her characters will leave readers eager for her next book." - Publishers Weekly (starred review)

"While the plot sometimes dips a little too far into the absurd, Conell's writing remains cleareyed, darkly funny, and deeply empathetic. A slow-burning debut that keenly dissects privilege, power, and the devastation of unfulfilled expectations." - Kirkus Reviews

"Conell creates a microcosm of life on the s*** side of the wealth gap in New York City, fills it with absurd, infuriating, and endearing characters, and hilariously skewers privilege that can't (or won't) recognize privilege." - Buzzfeed

"Singularly suited to the specific times we're in...The novel's portrayal of class, the real and lasting effects that wealth, or lack thereof, can have on your mentality and outlook, is unparalleled." - Literary Hub

"Lee Conell is already one of my favorite writers, and The Party Upstairs is a triumphant debut novel. She writes with such precision, utilizing a sharp sense of humor, that the cuts go deep, so expertly placed, and you find yourself irrevocably changed. Conell's voice is wholly original, unafraid to work with issues of class and gender and family. A wonder in every way." - Kevin Wilson, author of Nothing to See Here and The Family Fang

"The Party Upstairs made my pulse race. It builds its tensions expertly, like a thriller, unearthing suspense from the daily struggle to earn and keep a paycheck, the never-ending threat of job-loss and destitution. Lee Conell perceives everyone she writes about, rich and poor alike, with perfect clarity: on the one side those who gaze out on poverty as a kind of spectacle, on the other those who endure it as a kind of bombardment, and in the middle Martin and Ruby, the superintendent of an Upper West Side apartment building and his debt-ridden daughter, who pretend—but only pretend—that they're able to watch the bombs fall from afar." - Kevin Brockmeier, author of The Illumination

"In The Party Upstairs Lee Conell follows Martin and Ruby, father and daughter, through a single day as they negotiate the exasperating occupants, living and dead, of the co-op where Martin works as the superintendent. Conell writes with wonderful wit and empathy about the importance of money, the longing for a larger life and the confusions between a parent and an adult child. An irresistible novel." - Margot Livesey, author of The Flight of Gemma Hardy and The Boy in The Field

This information about The Party Upstairs was first featured in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.

Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.

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Plot Summary (SPOILERS)
After a break-up, unemployed recent college graduate Ruby is forced to move back in with her parents, into the rent-free but dismal basement apartment of a posh NYC building where her father, Martin, is the superintendent. The events of the novel take place in one day.
Ruby's oldest friend, Caroline, the trust fund daughter of the building’s penthouse resident, is throwing a party that evening in the penthouse. Growing up, Ruby saw both worlds: Martin's, and Caroline's. Martin's growing resentment of the rich and condescending residents whom he serves manifests itself as the voice of a recently deceased resident, the politically strident anti-capitalist Lily. Martin attributes his fraught relationship with his daughter to the class inequity between his family and the residents, particularly to Caroline.
A homeless woman claiming to be Lily’s cousin appears in the building foyer. Martin asks her to leave the premises. Ruby finds this act heartless, further straining her relationship with Martin. Later, Ruby sees that the homeless woman is still in the foyer, so Ruby lets her inside the building. When Ruby tells this story to Caroline, Caroline exclaims that they should help the woman and enlist the help of her friend Andy, a trust fund beneficiary and photographer who takes artistic photos of homeless people.
That day, through Caroline's contacts, Ruby has an interview for her dream job which, unbeknownst to Ruby, turns out to be an unpaid internship. Martin, during a house call to the penthouse to fix a door, learns from Caroline that the job is unpaid. He tosses a stone for Caroline to catch, but instead it lands in her coffee mug and shatters it. Meanwhile, after the interview, Ruby, disappointed at learning that there is no paying job being offered, takes a walk and bumps into Andy. Andy invites Ruby into his home and offers her money to pose with a rhino head. While posing, Andy gropes Ruby, but Ruby smashes Andy with the rhino head, sending him to the bathroom to clean up his bloody nose. Ruby escapes with the rhino head and abandons it at the Museum of Natural History.
Caroline confronts Ruby about the incident with Andy, defending Andy’s version of events. Caroline also tells Ruby that Martin “freaked out” on her, but promises not to report Martin to her father. Ruby and Caroline argue. Later that evening, Ruby attends Caroline’s party, and confronts Andy, who demands the return of the rhino head. Ruby demands the promised payment for modelling with the rhino head. Ruby takes Andy’s wallet from his pocket and leaves the party.
Ruby returns home and Ruby and Martin both listen to an answering machine message from the property management company, apopleptic at Martin’s incident with Caroline and the stone. Ruby is incensed that Caroline broke her promise to not report the incident to Caroline’s father. Ruby goes to the penthouse to confront Caroline, where she finds Caroline and Andy on the roof with the homeless woman. Andy is photographing Caroline with the homeless woman, and Caroline asks Ruby where she should stand. Ruby advises Caroline to move back a step, which causes Caroline to fall off the roof.
In the epilogue, Martin has moved to Georgia where he works at a new job and lives in a second floor apartment. He is content. Ruby works as a security guard at the Museum of Natural History, and lives with room mates in Astoria. Martin wants Ruby to move to Georgia, but Ruby wants to stay in NYC for now and spend the time growing up and discovering herself.

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Author Information

Lee Conell

Lee Conell is the author of the story collection Subcortical, which was awarded The Story Prize's Spotlight Award. Her short fiction has received the Chicago Tribune's Nelson Algren Award and appears in the Oxford American, Kenyon Review, Glimmer Train, American Short Fiction, and elsewhere. She is the recipient of creative writing fellowships from the Japan-United States Friendship Commission and the National Endowment for the Arts, the Tennessee Arts Commission, and the Sewanee Writers' Conference.

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