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The Toni Morrison Book Club Summary and Reviews

The Toni Morrison Book Club

by Juda Bennett

The Toni Morrison Book Club by Juda Bennett X
The Toni Morrison Book Club by Juda Bennett
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  • Published in USA  Feb 2020
    208 pages
    Genre: Biography/Memoir

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Book Summary

In this startling group memoir, four friends - black and white, gay and straight, immigrant and American-born - use Toni Morrison's novels as a springboard for intimate and revealing conversations about the problems of everyday racism and living whole in times of uncertainty.

Tackling everything from first love and Soul Train to police brutality and the Black Lives Matter movement, the authors take up what it means to read challenging literature collaboratively and to learn in public as an act of individual reckoning and social resistance.
 
Framing their book club around collective secrets, the group bears witness to how Morrison's works and words can propel us forward while we sit with uncomfortable questions about race, gender, and identity. How do we make space for black vulnerability in the face of white supremacy and internalized self-loathing? How do historical novels speak to us now about the delicate seams that hold black minds and bodies together?
 
This slim and brilliant confessional offers a radical vision for book clubs as sites of self-discovery and communal healing. The Toni Morrison Book Club insists that we find ourselves in fiction and think of Morrison as a spiritual guide to our most difficult thoughts and ideas about American literature and life.

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Reviews

Media Reviews

"For book lovers and history buffs, as well as the politically engaged, this collection, though small in size, will yield vast intellectual riches." - Publishers Weekly (starred review)

"All who pick up this book, from Morrison devotees to newcomers, will discover lessons in the literature to apply to their own lives. They will also feel inspired and wish to be part of a Toni Morrison Book Club of their own." - Library Journal (starred review)

"Intimate responses to fiction cohere into a moving meditation on race." - Kirkus Reviews

"What can the work of Toni Morrison teach us about the world we live in? Morrison's work provides a scaffolding here; the narrative frame of the distinct voices is unique and makes for an intriguing multivocal experience." - Emily Bernard, author of Black Is the Body: Stories from My Grandmother's Time, My Mother's Time, and Mine

"Poignant. Fear and dread run through this book in a really impactful way, and every revelation felt substantive and singular. Reading Morrison becomes vital to the group's efforts to mourn and to march forward in their own lives." - Michelle S. Hite, Spelman College

The information about The Toni Morrison Book Club shown above was first featured in "The BookBrowse Review" - BookBrowse's online-magazine that keeps our members abreast of notable and high-profile books publishing in the coming weeks. In most cases, the reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author of this book and feel that the reviews shown do not properly reflect the range of media opinion now available, please send us a message with the mainstream media reviews that you would like to see added.

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Author Information

Juda Bennett

Juda Bennett is a professor of English at The College of New Jersey and the author of Toni Morrison and the Queer Pleasure of Ghosts and The Passing Figure.

Winnifred Brown-Glaude is an associate professor of African American studies and sociology at The College of New Jersey and the author of Higglers in Kingston: Women's Informal Work in Jamaica.

Cassandra Jackson is a professor of English at The College of New Jersey and the author of Violence, Visual Studies, and the Black Male Body and Barriers between Us: Interracial Sex in Nineteenth-Century American Fiction.

Piper Kendrix Williams is an associate professor of English and African American studies at The College of New Jersey and the coeditor of Representing Segregation: Toward an Aesthetics of Living Jim Crow, and Other Forms of Racial Division.

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