Book Summary and Reviews of A Tokyo Romance by Ian Buruma

A Tokyo Romance by Ian Buruma

A Tokyo Romance

A Memoir

by Ian Buruma

  • Critics' Consensus (5):
  • Readers' Rating (1):
  • Published:
  • Mar 2018, 256 pages
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About this book

Book Summary

A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970s.

When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible.

Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated - neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma's Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free.

A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.

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Reviews

Media Reviews

"Starred Review. [A] lucid, engrossing memoir…Buruma makes the archetypal quest for home in a foreign land both uniquely personal and deeply illuminating." - Publisher's Weekly

"Starred Review. Delicious… a wild ride through the late-20th-century Japanese avant-garde scene through the eyes of an innocent from across the sea." - Kirkus

"With the insight and curiosity of someone on the outside looking in, Buruma describes a transformational moment in the making of modern Japanese culture." - Booklist

"Buruma's meditations on his place as a foreigner in Japanese society achieve some depth, but the descriptions of the various personalities and the lurid slices of 1970s Tokyo's underground scene are this memoir's strongest feature. Readers interested in 20th-century Japanese cinema and avant-garde theater will find a particular appeal in Buruma's anecdotes." - Library Journal

This information about A Tokyo Romance was first featured in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.

Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.

Reader Reviews

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Divyam Chaudhary

A good romance book and knowledgeable too
As a young man, Ian Buruma lived in Japan for several years , exploring the fringe worlds of theatre, film and performance art, where erotu, grotu and nonsensu prevailed (erotic/porn, grotesque and nonsense) prevailed.

He hung out with actors, joining them on tour, eating, drinking, visiting sex clubs – all part of the life of the Tokyo under-life that he wanted to explore. There was more than enough detail for me of his and the group exploits, though those interested in the inner workings and tensions of extreme Japanese theatre might hold more of the names and works than I do.

This being Buruma, his observation/analysis hat is on, as well as the older-man-recalling-outrageous-past hat.

It’s the intermittent acute comment that kept me going past the stage shows. He reflects on the place of the violent, sexual themes and acts in Japanese entertainment and how they sit within a culture that is very tightly structured, ordered and, superficially at least, polite.

The last chapter I found particularly interesting as he examines why foreigners can never really fit into Japanese society/culture, and why many Japanese find it difficult to fit in else where.

Fascinating book if you can get past the ineptitudes and grossness

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Author Information

Ian Buruma

Ian Buruma is editor of The New York Review of Books. His previous books include Their Promised Land, Year Zero, The China Lover, Murder in Amsterdam, Occidentalism,God's Dust, Behind the Mask, The Wages of Guilt, Bad Elements, and Taming the Gods.

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