In his 9th and penultimate collection of essays Gould once again offers his unmistakable perspective on natural history and the people who have tried to make sense of it.
In his ninth collection of essays, bestselling scientist Stephen Jay Gould once again offers his unmistakable perspective on natural history and the people who have tried to make sense of it. In tandem with the closing of the millennium, Gould is planning to bring down the curtain on his nearly thirty-year stint as a monthly essayist for Natural History magazine. This, then, is the next-to-last essay collection from one of the most acclaimed and widely read scientists of our time. In twenty-three essays, Gould presents the richness and fascination of the various lives that have fueled the enterprise of science and opened our eyes to a world of unexpected wonders.
Part I treats the most absorbing period in Gould's own subject, paleontology--the premodern struggle (from the sixteenth to the early eighteenth century) to understand the origin of fossils while nascent science grappled with the deepest of all questions about the nature of both causality and reality. Are fossils the remains of ancient organisms on an old earth, or manifestations of a stable and universal order, symbolically expressed by correspondences among nature's three kingdoms---animal, mineral, and vegetable?
Part II discusses the greatest conjunction of a time, a subject, and an assemblage of amazing people in the history of natural history: the late-eighteenth to the early-nineteenth century in France, when a group that included some of the most exceptional intellects of the millennium--Georges Buffon, Antoine Lavoisier, and Jean-Baptiste Lamarck--invented the scientific study of natural history in an age of revolution.
Part III illustrates the greatest British challenge to this continental preeminence: the remarkable, and wonderfully literate, leading lights of Victorian science in Darwin's age of turmoil and reassessment: Lyell's uniformitarianism, Darwin's own intellectual development, Richard Owen's invention of dinosaurs, and Alfred Russel Wallace on Victorian certainties and subsequent unpredictabilities.
The last three parts of the book do not invoke biography so explicitly, but they use the same device of embodying an abstraction within a particular that can be addressed in sufficient detail and immediate focus to fit within an essay. The interlude of Part IV presents some experiments in the different literary form of short takes. Part V, on scientific subjects with more obvious and explicit social consequences (and often unacknowledged social origins as well), also uses biography, but in a different way, to link past stories with present realities--to convey the lesson that claims for objectivity based on pure discovery often replay episodes buried in history, and prove that our modern certainties flounder within the same complexities of social context and mental blockage. Finally, Part VI abandons biography for another device of essayists: major themes (about evolution's different expression across scales of size and time) cast into the epitome of odd and intriguing particulars.
The Lying Stones of Marrakech
In the fall of 1973, I received a call from Alan Ternes, editor of Natural History magazine. He asked me if I would like to write columns on a monthly basis, and he told me that folks actually get paid for such activities. (Until that day, I had published only in technical journals.) The idea intrigued me, and I said that I'd try three or four. Now, 290 monthly essays later (with never a deadline missed), I look only a little way forward to the last item of this extended series--to be written, as number 300 exactly, for the millennial issue of January 2001. One really should follow the honorable principle of quitting while still ahead, a rare form of dignity chosen by such admirable men as Michael Jordan and Joe DiMaggio, my personal hero and mentor from childhood. (Joe died, as I put this book together, full of years and in maximal style and grace, after setting one last record--for number of times in receiving last rites and then rallying.) Our...
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No Man's Land
by Simon Tolkien
Inspired by the experiences of his grandfather, J. R. R. Tolkien, during World War I.
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