Excerpt from The Lying Stones of Marrakech by Stephen Jay Gould, plus links to reviews, author biography & more

Summary |  Excerpt |  Reviews |  Readalikes |  Genres & Themes |  Author Bio

The Lying Stones of Marrakech

Penultimate Reflections in Natural History

by Stephen Jay Gould

The Lying Stones of Marrakech by Stephen Jay Gould X
The Lying Stones of Marrakech by Stephen Jay Gould
  • Critics' Opinion:

    Readers' Opinion:

     Not Yet Rated
  • First Published:
    Apr 2000, 372 pages
    Apr 2001, 372 pages

  • Rate this book

Buy This Book

About this Book

Print Excerpt

The Lying Stones of Marrakech

In the fall of 1973, I received a call from Alan Ternes, editor of Natural History magazine. He asked me if I would like to write columns on a monthly basis, and he told me that folks actually get paid for such activities. (Until that day, I had published only in technical journals.) The idea intrigued me, and I said that I'd try three or four. Now, 290 monthly essays later (with never a deadline missed), I look only a little way forward to the last item of this extended series--to be written, as number 300 exactly, for the millennial issue of January 2001. One really should follow the honorable principle of quitting while still ahead, a rare form of dignity chosen by such admirable men as Michael Jordan and Joe DiMaggio, my personal hero and mentor from childhood. (Joe died, as I put this book together, full of years and in maximal style and grace, after setting one last record--for number of times in receiving last rites and then rallying.) Our millennial transition may represent an arbitrary imposition of human decisions upon nature's true cycles, but what grander symbol for calling a halt and moving on could possibly cross the path of a man's lifetime? This ninth volume of essays will therefore be the penultimate book in a series that shall close by honoring the same decimal preference lying behind our millennial transition.

If this series has finally found a distinctive voice, I have learned this mode of speech in the most gradual, accumulating, and largely unconscious manner--against my deepest personal beliefs in punctuational change and the uniquely directive power (despite an entirely accidental origin) of human reason in evolution. I suppose I had read a bit of Montaigne in English 101, and I surely could spell the word, but I had no inkling about the definitions and traditions of the essay as a literary genre when Alan Ternes called me cold on that fine autumn day.

I began the series with quite conventional notions about writing science for general consumption. I believed, as almost all scientists do (by passively imbibing a professional ethos, not by active thought or decision), that nature speaks directly to unprejudiced observers, and that accessible writing for nonscientists therefore required clarity, suppression of professional jargon, and an ability to convey the excitement of fascinating facts and interesting theories. If I supposed that I might bring something distinctive to previous efforts in this vein, I managed to formulate only two vague personal precepts: first, I would try to portray all subjects at the same conceptual depth that I would utilize in professional articles (that is, no dumbing down of ideas to accompany necessary clarification of language); second, I would use my humanistic and historical interests as a "user friendly" bridge to bring readers into the accessible world of science.

Over the years, however, this mere device (the humanistic "bridge") became an explicit centrality, a feature that I permitted myself to accept (and regard as a source of comfort and pride rather than an idiosyncrasy to downplay or even to hide) only when I finally realized that I had been writing essays, not mere columns, all along--and that nearly five hundred years of tradition had established and validated (indeed, had explicitly defined) the essay as a genre dedicated to personal musing and experience, used as a gracious entrée, or at least an intriguing hook, for discussion of general and universal issues. (Scientists are subtly trained to define the personal as a maximally dangerous snare of subjectivity and therefore to eschew the first person singular in favor of the passive voice in all technical writing. Some scientific editors will automatically blue-pencil the dreaded I at every raising of its ugly head. Therefore, "popular science writing" and "the literary essay" rank as an ultimately disparate, if not hostile, pairing of immiscible oil and water in our usual view--a convention that I now dream about fracturing as a preeminent goal for my literary and scientific life.)

  • 1
  • 2

Excerpted from The Lying Stones of Marrakech by Stephen Jay Gould Copyright© 2000 by Stephen Jay Gould. Excerpted by permission of Harmony, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.

Membership Advantages
  • Reviews
  • "Beyond the Book" backstories
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $10 for 3 months or $35 for a year
  • More about membership!

Editor's Choice

  • Book Jacket: Speak No Evil
    Speak No Evil
    by Uzodinma Iweala
    Young Nigerian American writer Uzodinma Iweala is fast becoming known as a powerful chronicler of ...
  • Book Jacket: Winter
    by Ali Smith
    "God was dead; to begin with." This first sentence of Winter perfectly sets up the dreamy journey ...
  • Book Jacket: A Land of Permanent Goodbyes
    A Land of Permanent Goodbyes
    by Atia Abawi

    When you're a refugee, everyone has lost, at least for the time being... And the journey ...

  • Book Jacket: Auntie Poldi and the Sicilian Lions
    Auntie Poldi and the Sicilian Lions
    by Mario Giordano
    Munich matron and self-described worldly sophisticate, Isolde Oberreiter, has decided to retire to a...

First Impressions

  • Book Jacket

    Auntie Poldi and the Sicilian Lions
    by Mario Giordano

    A charming, bighearted novel starring Auntie Poldi, Sicily's newest amateur sleuth.
    Reader Reviews

  • Book Jacket

    Sometimes I Lie
    by Alice Feeney

    This brilliant psychological thriller asks: Is something a lie if you believe it's the truth?
    Reader Reviews

Win this book!
Win The Balcony

The Balcony
by Jane Delury

A century-spanning novel-in-stories of a French village brimming with compassion, natural beauty, and unmistakable humanity.


Word Play

Solve this clue:

One N U G

and be entered to win..

Books that     

 & enlighten

Visitors can view some of BookBrowse for free. Full access is for members only.

Join Today!

Your guide toexceptional          books

BookBrowse seeks out and recommends books that we believe to be best in class. Books that will whisk you to faraway places and times, that will expand your mind and challenge you -- the kinds of books you just can't wait to tell your friends about.