Captures the devastating havoc wrought on both a country's fate and a woman's heart by ruthless ambition and war.
For him it began with a bright blue parrot feather that fell from Ella Lynch's hat when she was horseback riding in the Bois de Boulogne. The year was 1854, and Francisco Solano Lopez -- "Franco," the future dictator of Paraguay -- began his courtship of the young, beautiful Irishwoman with a poncho, a Paraguayan band, and a horse named Mathilde.
From Paris, Ella Lynch follows Franco to Asunción, where she reigns as his mistress. Isolated and estranged in this new world, she embraces her lover's ill-fated dream -- one fueled by outsize imperial ambition and heedless arrogance, and with devastating consequences for Paraguay and all its inhabitants.
A historical epic that tells an unusual love story, The News from Paraguay offers a kaleidoscopic portrait of nineteenth-century Paraguay, a largely untouched wilderness where Europeans and North Americans intermingle with both the old Spanish aristocracy and native Guaraní Indians.
The urgency of the narrative, the imaginative richness of its intimate detail, and the wealth of characters whose stories are skillfully layered and unfolded recall the epic novels of Gabriel García Márquez and Mario Vargas Llosa. The News from Paraguay captures the devastating havoc wrought on both a country's fate and a woman's heart by ruthless ambition and war.
Winner of the 2004 National Book Award for Fiction
For him it began with a feather. A bright blue parrot feather that fell out of Ella Lynch's hat while she was horseback riding one afternoon in the Bois de Boulogne. Blond, fair-skinned and Irish, Ella was a good rider -- the kind of natural rider who rides with her ass, not her legs -- and she was riding astride on a nervous little gray thoroughbred mare. Cantering a few paces behind Ella and her companion, Francisco Solano Lopez was also a good rider -- albeit a different sort of rider. He rode from strength, the strength in his arms, the strength in his thighs. Also he liked to ride big horses, horses that measured over sixteen, seventeen hands; at home, he often rode a big sure-footed cantankerous brown mule. Pulling up on the reins and getting off his horse, his heavy silver spurs clanging, Franco -- as Francisco Solano Lopez was known -- picked the feather up from the ground; it briefly occurred to him that Inocencia, his fat sister, would know what kind of ...
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