An epic masterpiece set in the 19th century American and Canadian West - a time when worlds collided, were destroyed and were built anew.
A No.1 bestseller in Canada and winner of the Canadian Booksellers Association's Fiction Book of the Year Award, The Last Crossing is a sweeping tale of breathtaking quests, adventurous detours, and hard-won redemption. Master-storyteller Guy Vanderhaeghe takes us on an exhilarating journey from the ivy-covered towers of Oxford in Victorian England to the dusty whiskey trading posts of the nineteenth-century American and Canadian West.
Englishmen Charles and Addington Gaunt are ordered by their tyrannical industrialist father to find their brother Simon, who has gone missing in the wilds of the American West. Charles, a disillusioned artist, and Addington, a disgraced military captain, set off to Fort Benton in America and enlist the services of a guide to lead them north, where Simon was last seen. The brothers hire the enigmatic Jerry Potts, half Blackfoot, half Scot, who suffers from his own painful past, and a colorful array of others. This unlikely posse, now encumbered with both psychological baggage and wagon trains, becomes entangled in an unfolding drama that forces each to come to terms with his or her own demons.
The Last Crossing is an epic masterpiece set in a time when worlds collided, were destroyed, and were built anew.
I let myself into the house, stand looking up the stairs, turn, go into the study, pour a whisky and soda. Today's mail is waiting, envelopes on a salver. My man, Harding, has laid a fire, but I don't trouble to light it. I leave my ulster on, stand sipping from the tumbler with a gloved hand, staring at the day's letters.
I know what they are. Invitations. Invitations for a weekend in the country. Invitations to dine. More invitations than I am accustomed to receiving. Now people court me. Queer old Charlie Gaunt has become a minor, middle-aged bachelor celebrity. Even Richards and Merton, long-time acquaintances with whom I dined tonight in the Athenaeum, did not allow my new eminence to pass unremarked. For years, I was never anyone's first choice as a portrait painter, never admitted as a full member of the Royal Academy, only very lately handed the privilege of sporting the initials a.r.a. after my name. Merely an Associate. Tardy laurels finally ...
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