Embodies the universal human search for identity, the struggle to impose coherence on memory, a struggle complicated by the minds defenses against trauma.
Over the course of a thirty-year conversation unfolding in train stations and travelers stops across England and Europe, W.G. Sebalds unnamed narrator and Jacques Austerlitz discuss Austerlitzs ongoing efforts to understand who he is. An orphan who came to England alone in the summer of 1939 and was raised by a Welsh Methodist minister and his wife as their own, Austerlitz grew up with no conscious memory of where he came from.
W.G. Sebald embodies in Austerlitz the universal human search for identity, the struggle to impose coherence on memory, a struggle complicated by the minds defenses against trauma. Along the way, this novel of many riches dwells magically on a variety of subjectsrailway architecture, military fortifications; insets, plants, and animals; the constellations; works of art; the strange contents of the museum of a veterinary school; a small circus; and the three capital cities that loom over the book, London, Paris, and Praguein the service of its astounding vision.
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In the second half of the 1960s I traveled repeatedly from England to Belgium, partly for study purposes, partly for other reasons which were never entirely clear to me, staying sometimes for just one or two days, sometimes for several weeks. On one of these Belgian excursions which, as it seemed to me, always took me further and further abroad, I came on a glorious early summer's day to the city of Antwerp, known to me previously only by name. Even on my arrival, as the train rolled slowly over the viaduct with its curious pointed turrets on both sides and into the dark station concourse, I had begun to feel unwell, and this sense of indisposition persisted for the whole of my visit to Belgium on that occasion. I still remember the uncertainty of my footsteps as I walked all round the inner city, down Jeruzalemstraat, Nachtegaalstraat, Pelikaanstraat, ...
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