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From the New York Times bestselling author of The Good House, the story of two friends, raised in the same orphanage, whose loyalty is put to the ultimate test when they meet years later at a controversial institution - one as an employee; the other, an inmate.
It's 1927 and eighteen-year-old Mary Engle is hired to work as a secretary at a remote but scenic institution for mentally disabled women called the Nettleton State Village for Feebleminded Women of Childbearing Age. She's immediately in awe of her employer—brilliant, genteel Dr. Agnes Vogel.
Dr. Vogel had been the only woman in her class in medical school. As a young psychiatrist she was an outspoken crusader for women's suffrage. Now, at age forty, Dr. Vogel runs one of the largest and most self-sufficient public asylums for women in the country. Mary deeply admires how dedicated the doctor is to the poor and vulnerable women under her care.
Soon after she's hired, Mary learns that a girl from her childhood orphanage is one of the inmates. Mary remembers Lillian as a beautiful free spirit with a sometimes-tempestuous side. Could she be mentally disabled? When Lillian begs Mary to help her escape, alleging the asylum is not what it seems, Mary is faced with a terrible choice. Should she trust her troubled friend with whom she shares a dark childhood secret? Mary's decision triggers a hair-raising sequence of events with life-altering consequences for all.
Inspired by a true story about the author's grandmother, The Foundling offers a rare look at a shocking chapter of American history. This gripping page-turner will have readers on the edge of their seats right up to the stunning last page…asking themselves, "Did this really happen here?"
Excerpt
The Foundling
When we were little girls, after lessons and before prayers, Sister Rosemary, the night matron, read aloud to us. She sat in a lumpy old upholstered armchair in front of the stove, often with a colicky infant or two on her wide lap. We never grew tired of hearing the same few books owned by the orphanage. David Copperfield, Five Little Peppers, Pollyanna—there were one or two others, and for the rest of my life, when I reread these stories, all the characters spoke with Sister Roseamary's thick Irish brogue.
One hot summer night, when I was around six or seven, Lillian Faust returned to the ward with a plaster cast on her arm. She'd fallen out of the giant elm in the courtyard that afternoon and had been taken to the hospital. Now, her eyes were still puffy and red from crying, but as we crowded around her, she proudly showed off her cast like it was a trophy.
Sister Rosemary had been reading to us while giving a baby her bottle. She put down the book and ...
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