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Critics' Opinion:
Readers' Opinion:
First Published:
Aug 2020, 368 pages
Paperback:
Aug 2021, 368 pages
Book Reviewed by:
Jamie Chornoby
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The story of two refugee families and their hope and resilience as they fight to survive and belong in America.
The welcoming and acceptance of immigrants and refugees has been central to America's identity for centuries--yet America has periodically turned its back at the times of greatest humanitarian need. After the Last Border is an intimate look at the lives of two women as they struggle for the twenty-first century American dream, having won the "golden ticket" to settle as refugees in Austin, Texas.
Mu Naw, a Christian from Myanmar struggling to put down roots with her family, was accepted after decades in a refugee camp at a time when America was at its most open to displaced families; and Hasna, a Muslim from Syria, agrees to relocate as a last resort for the safety of her family--only to be cruelly separated from her children by a sudden ban on refugees from Muslim countries. Writer and activist Jessica Goudeau tracks the human impacts of America's ever-shifting refugee policy as both women narrowly escape from their home countries and begin the arduous but lifesaving process of resettling in Austin, Texas--a city that would show them the best and worst of what America has to offer.
After the Last Border situates a dramatic, character-driven story within a larger history--the evolution of modern refugee resettlement in the United States, beginning with World War II and ending with current closed-door policies--revealing not just how America's changing attitudes toward refugees has influenced policies and laws, but also the profound effect on human lives.
Chapter 1
Mu Naw
Austin, Texas, USA, April 2007
Mu Naw stood on the landing above the airport baggage claim-area at Austin-Bergstrom International Airport and wished she had on different shoes. She shifted the plastic International Organization for Migration bag from her left shoulder to her right and grabbed her daughter's hand. There were two escalators leading down; she and her husband, Saw Ku, had instinctively paused, not sure which one to take. People passed them on the right and left, confidently moving through space as Mu Naw never had. Mu Naw's shoes, the black rubber slide-on sandals everyone used in Mae La camp, felt dusty, undignified. She was proud of her skirt and shirt-these were her nicest clothes. They were red and handwoven in the traditional Karen style, a long straight skirt with braided fringes brushing the top of her feet, a tunic with a diamond-shaped hole she slipped her head into. She looked at her daughter Naw Wah, who was two, in her pink Karen dress, and her ...
On a storytelling level, this book is remarkable for honoring the voices of refugees. Few books are able to so clearly and empathetically show the relationship between policy and people. After the Last Border is an urgent and necessary book, especially for American readers. Powerful and compassionate, these women's stories linger in the mind and provide a greater understanding of the plight of refugees around the world...continued
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(Reviewed by Jamie Chornoby).
Fairuz is a Lebanese singer and actress, often hailed as the voice of Lebanon and the voice of hope. Having recorded over 1,500 songs and sold over 100 million records, her body of work is vast and globally admired.
Born in the Chouf region in the 1930s with the name Nuhad al-Haddad, her family moved to Beirut when she was young. It was here, singing at a school event in 1950, that she was heard by musician and teacher Mohammed Fleifel, who offered her a spot at the Lebanese Conservatory.
When prominent musician and head of the Lebanese Radio Station Halim El Roumi heard her sing, he insisted she be brought to the airwaves. In the recording studio, he gave her the name Fairuz – with various spellings ranging from Fairouz to ...
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