Explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.
A long-awaited collection of stories--twelve in all--by one of the most exciting writers at work today, the acclaimed author of Who Will Run the Frog Hospital? and Self-Help. Stories remarkable in their range, emotional force, and dark laughter, and in the sheer beauty and power of their language.
From the opening story, "Willing"--about a second-rate movie actress in her thirties who has moved back to Chicago, where she makes a seedy motel room her home and becomes involved with a mechanic who has not the least idea of who she is as a human being--Birds of America unfolds a startlingly brilliant series of portraits of the unhinged, the lost, the unsettled of our America.
In the story "Which Is More Than I Can Say About Some People" ("There is nothing as complex in the world--no flower or stone--as a single hello from a human being"), a woman newly separated from her husband is on a long-planned trip through Ireland with her mother. When they set out on an expedition to kiss the Blarney Stone, the image of wisdom and success that her mother has always put forth slips away to reveal the panicky woman she really is.
In "Charades," a family game at Christmas is transformed into a hilarious and insightful (and fundamentally upsetting) revelation of crumbling family ties.
In "Community Life,"a shy, almost reclusive, librarian, Transylvania-born and Vermont-bred, moves in with her boyfriend, the local anarchist in a small university town, and all hell breaks loose. And in "Four Calling Birds, Three French Hens," a woman who goes through the stages of grief as she mourns the death of her cat (Anger, Denial, Bargaining, Häagen Dazs, Rage) is seen by her friends as really mourning other issues: the impending death of her parents, the son she never had, Bosnia.
In what may be her most stunning book yet, Lorrie Moore explores the personal and the universal, the idiosyncratic and the mundane, with all the wit, brio, and verve that have made her one of the best storytellers of our time.
It's fitting that Christmas should degenerate to this, its barest bones. The family has begun to seem to Therese like a pack of thespians anyway; everyone arrives, performs for one another, catches early flights out, to Logan or O'Hare. Probably it's appropriate that a party game should literally appear and insert itself in the guise of a holiday tradition (which it isn't). Usually, no one in Therese's family expresses much genuine feeling anyway; everyone aims instead--though gamely!--for enactments.
Each year now, the stage is a new one--their aging parents, in their restless old age, buying and selling town houses, moving steadily southward from Maine. The real estate is Therese's mother's idea. Since he's retired, Therese's father has focused more on bird feeders; he is learning how to build them. "Who knows what he'll do next?" Her mother sighs. "He'll probably start carving designs into the side of the house."
If you liked Birds of America, try these:
After the best-selling Arthur & George and Nothing to Be Frightened Of, Julian Barnes returns with fourteen stories about longing and loss, friendship and love, whose mysterious natures he examines with his trademark wit and observant eye.
A major event in American poetry: The poets own selection of more than two hundred poems, offering both longtime followers and new readers a stunning retrospective of her earlier work as well as a generous selection of powerful new poems.
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