In this story of a woman's devotion to the child who is both her burden and God's singular way of smiling on her, Bret Lott has created a mother-daughter relationship of matchless intensity and beauty.
In the backwoods of Mississippi, a land of honeysuckle and grapevine, Jewel and her husband, Leston, are truly blessed; they have five fine children. When Brenda Kay is born in 1943, Jewel gives thanks for a healthy baby, last-born and most welcome. Jewel is the story of how quickly a life can change; how, like lightning, an unforeseen event can set us on a course without reason or compass. In this story of a woman's devotion to the child who is both her burden and God's singular way of smiling on her, Bret Lott has created a mother-daughter relationship of matchless intensity and beauty, and one of the finest, most indomitable heroines in contemporary American fiction.
Book One: 1943
I was born in 1904, so that when I was pregnant in 1943 I was near enough to be past the rightful age to bear children. This would be my sixth, and on that morning in February, the first morning I'd known I was with child, I'd simply turned to Leston in bed next to me, the room gray from a winter sky outside the one window, that sky not yet lit with the sun, and I'd said, "There'll be no more after this one."
He rolled onto his back, his eyes still shut, the little hair he still had wild and loose on his head. He put his hands behind his head, and gave a sort of smile, one I'd seen enough times before this. Five times before, to be exact.
He said, "Another one," and kept the smile. Then he said, "What makes you think so?"
I said, "Doesn't take divining, not after five," and I paused. I reached a hand up from beneath the quilts, felt the chill of the morning on my skin, that skin the same color gray as the small strip ...
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