Set in the Belgian Congo during the 1960s, The Poisonwood Bible takes its place alongside the classic works of post-colonial literature, establishing Kingsolver as one of the most thoughtful and daring of modern writers.
The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it--from garden seeds to Scripture--is calamitously transformed on African soil. What follows is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.
The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters--the self-centered, teenaged Rachel; shrewd adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.
Dancing between the dark comedy of human failings and the breathtaking possibilities of human hope, The Poisonwood Bible possesses all that has distinguished Barbara Kingsolver's previous work, and extends this beloved writer's vision to an entirely new level. Taking its place alongside the classic works of post colonial literature, this ambitious novel establishes Kingsolver as one of the most thoughtful and daring of modern writers.
An Excerpt from Part 1:
The Things They Carried
We came from Bethlehem, Georgia bearing Betty Crocker cake mixes into the jungle. My sisters and I were all counting on having one birthday apiece during our twelve-month mission. "And heaven knows," our mother predicted, "they won't have Betty Crocker in the Congo."
"Where we are headed, there will be no buyers and sellers at all," my father corrected. His tone implied that Mother failed to grasp our mission, and that her concern with Betty Crocker confederated her with the coin-jingling sinners who vexed Jesus till he pitched a fit and threw them out of church. "Where we are headed," he said, to make things perfectly clear, "not so much as a Piggly Wiggly." Evidently Father saw this as a point in the Congo's favor. I got the most spectacular chills, just from trying. But considering the lilies as we might, our trimming back got us nowhere close to the sixty-one pounds, even with Rachel's beauty aids. We were ...
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"Tell me the story of Everest," she said, a fervent smile sweeping across her face, creasing the corners of her eyes. "Tell me about this mountain that's stealing you away from me."
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