A heartbreaking literary masterwork about love, family, and the power of imagination, which confirms Mengestu's reputation as one of the brightest talents of his generation.
Dinaw Mengestu's first novel, The Beautiful Things That Heaven Bears, earned the young writer comparisons to Bellow, Fitzgerald, and Naipaul, and garnered ecstatic critical praise and awards around the world for its haunting depiction of the immigrant experience. Now Mengestu enriches the themes that defined his debut with a heartbreaking literary masterwork about love, family, and the power of imagination, which confirms his reputation as one of the brightest talents of his generation.
One early September afternoon, Yosef and Mariam, young Ethiopian immigrants who have spent all but their first year of marriage apart, set off on a road trip from their new home in Peoria, Illinois, to Nashville, Tennessee, in search of a new identity as an American couple. Soon, their son, Jonas, will be born in Illinois.
Thirty years later, Yosef has died, and Jonas needs to make sense of the volatile generational and cultural ties that have forged him. How can he envision his future without knowing what has come before? Leaving behind his marriage and job in New York, Jonas sets out to retrace his mother and father's trip and weave together a family history that will take him from the war-torn Ethiopia of his parents' youth to his life in the America of today, a story - real or invented - that holds the possibility of reconciliation and redemption.
A It was four hundred eighty-four miles from my parents' home in Peoria, Illinois, to Nashville, Tennessee, a distance that in a seven-year-old red Monte Carlo driving at roughly sixty miles an hour could be crossed in eight to twelve hours, depending on certain variables such as the number of road signs offering side excursions to historical landmarks, and how often my mother, Mariam, would have to go to the bathroom. They called the trip a vacation, but only because neither of them was comfortable with the word "honeymoon," which in its marrying of two completely separate words, each of which they understood on its own, seemed to imply when joined together a lavishness that neither was prepared to accept. They were not newlyweds, but their three years apart had made them strangers. They spoke to each other in whispers, half in Amharic, half in English, as if any one word uttered too loudly could reveal to both of them that, in fact, they had never understood each other; they ...
How To Read The Air is not a great novel, but it is a good one... In the end... I was soothed by the beautiful writing; prose that has been polished to a luster, characters who are unique without a whiff of stereotype, and emotion so seamlessly melded into the story that it feels true to life. Though Mengestu may have attempted too much in terms of the social, political and psychological implications of immigration from destroyed countries and the dubious benefits of finding asylum in so-called functioning countries, he manages to integrate these heavy themes into an aesthetic whole.
(Reviewed by Judy Krueger).
About the Author
Dinaw Mengestu was born in Addis Ababa, Ethiopia, in 1978. In 1980 he immigrated to the United States with his mother and sister, joining his father, who had fled the communist revolution in Ethiopia two years before. He is a graduate of Georgetown University and of Columbia University's MFA program in fiction. He has also reported stories for Harper's and Jane magazine, profiling a young woman who was kidnapped and forced to become a soldier in the brutal war in Uganda, and for Rolling Stone on the tragedy in Darfur.
His first novel, The Beautiful Things That Heaven Bears (2007) brought him admiration and recognition: a glowing review in The New York Times, a Guardian First Book Award as well as inclusion ...
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