A spellbinding novel that spans the Victorian era through the World War I years, and centers around a famous children's book author and the passions, betrayals, and secrets that tear apart the people she loves.
A spellbinding novel, at once sweeping and intimate, from the Booker Prizewinning author of Possession, that spans the Victorian era through the World War I years, and centers around a famous children's book author and the passions, betrayals, and secrets that tear apart the people she loves.
When Olive Wellwood's oldest son discovers a runaway named Philip sketching in the basement of the new Victoria and Albert Museuma talented working-class boy who could be a character out of one of Olive's magical talesshe takes him into the storybook world of her family and friends.
But the joyful bacchanals Olive hosts at her rambling country houseand the separate, private books she writes for each of her seven childrenconceal more treachery and darkness than Philip has ever imagined. As these livesof adults and children alikeunfold, lies are revealed, hearts are broken, and the damaging truth about the Wellwoods slowly emerges. But their personal struggles, their hidden desires, will soon be eclipsed by far greater forces, as the tides turn across Europe and a golden era comes to an end.
Taking us from the cliff-lined shores of England to Paris, Munich, and the trenches of the Somme, The Children's Book is a deeply affecting story of a singular family, played out against the great, rippling tides of the day. It is a masterly literary achievement by one of our most essential writers.
The Children's Book
Two boys stood in the Prince Consort Gallery, and looked down on a third. It was June 19th, 1895. The Prince had died in 1861, and had seen only the beginnings of his ambitious project for a gathering of museums in which the British craftsmen could study the best examples of design. His portrait, modest and medalled, was done in mosaic in the tympanum of a decorative arch at one end of the narrow gallery which ran above the space of the South Court. The South Court was decorated with further mosaics, portraits of painters, sculptors, potters, the "Kensington Valhalla." The third boy was squatting beside one of a series of imposing glass cases displaying gold and silver treasures. Tom, the younger of the two looking down, thought of Snow White in her glass coffin. He thought also, looking up at Albert, that the vessels and spoons and caskets, gleaming in the liquid light under the glass, were like a resurrected kingly burial hoard. (Which, indeed, some of ...
When I first plunged into The Children's Book, what struck me was how real the characters were. Olive Wellwood and her circle of friends and family didn't feel like characters, they felt like people. The expansive scope of this novel, and the attention to detail in so many areas - theater, pottery, fairy tales, anarchy, socialism and many others - is impressively handled and rarely does the history interfere with the storytelling. However, I was disappointed that the ending didn't come with a little more of the clarity and understanding I had enjoyed so much in the first part of the book.
(Reviewed by Beverly Melven).
One of the main characters in The Children's Book is Phillip Warren, apprentice to eccentric master of ceramics Benedict Fludd. While Fludd is a fictional creation, the kind of pottery being made in his house is in a style that came to be known, in the early 20th century, as Studio Pottery - that is to say pottery made by artists working alone or in small groups, producing unique items or small quantities of similar items.
In the wake of the industrialization of pottery in the previous centuries, those who created unique items from earthen- and stone-ware struggled to have their work accepted as art. Some of the leaders of the Studio Pottery tradition were William Staite Murray, Bernard Leach and Michael...
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