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Critics' Opinion:
Readers' Opinion:
First Published:
Feb 2004, 400 pages
Paperback:
Jul 2004, 375 pages
In this delicious sequel to The Eyre Affair and Lost in a Good Book, Fforde's redoubtable heroine Thursday Next once again does battle with philistine bibliophobes.
The eagerly anticipated third installment in the bestselling Thursday Next series—a genre-bending blend of crime fiction, fantasy, and top-drawer literary entertainment
Thursday Next definitely needs some down time. After two rollicking New York Times bestselling adventures through the Western literary canon, Britain's Prose-Op is literally and literaturally at her wits' end—not to mention pregnant. Her job as Miss Havisham's apprentice at Jurisfiction is as hectic as ever—and not just because she has to moderate rage counseling sessions in Wuthering Heights. So what could be more welcome than a restful stint in the Character Exchange Program down in the hidden depths of the Well of Lost Plots?
She's supposed to relax while filling in for a sidekick in an unpublished (and unpublishable) detective procedural socked away below the Great Library in the Well of Lost Plots. But a vacation remains elusive. In no time, Thursday discovers that the Well of Lost Plots is a veritable linguistic free-for-all where grammasites run rampant, plot devices are hawked on the black market, and lousy books (like the one she has taken up residence in) are scrapped for salvage. To top it off, a murderer is stalking Jurisfiction personnel and nobody is safe, least of all Thursday herself.
Fforde has done it again in this absolutely brilliant feat of literary showmanship. When it comes to sheer wit, literate fantasy, and effervescent originality, nobody can touch this new tour de Fforde.
Chapter 1.
The Absence of Breakfast.
The Well of Lost Plots. To understand the Well you have to have an idea of the layout of the Great Library. The library is where all published fiction is stored so it can be read by the readers in the Outland; there are twenty-six floors, one for each letter of the alphabet. The library is constructed in the layout of a cross with the four corridors radiating from the center point. On all the walls, end after end, shelf after shelf, are books. Hundreds, thousands, millions of books. Hardbacks, paperbacks, leatherbound, everything. But the similarity of all these books to the copies we read back home is no more than the similarity a photograph has to its subject; these books are alive.
Beneath the Great Library are twenty-six floors of dingy yet industrious sub-basements known as the Well of Lost Plots. This is where books are constructed, honed and polished in readiness for a place in the library above—if they make it that far. The ...
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