The Gourmet is the first novel by Muriel Barbery. Pierre Arthens, France’s greatest food critic, is dying. As he lies on his deathbed in his Rue de Grenelle apartment, he is tormented by his inability to recall the most delicious food to pass his lips, long before he became a critic. The story is narrated by Arthens himself, as he recalls meals and times in his life in an effort to identify the elusive dish; the people and things in his life also recount their experiences and opinions of him. Barbery’s own childhood in Morocco is in evidence, and the apartment building and the concierge make a further appearance in Barbery’s next and very popular novel, “The Elegance of the Hedghog”. I wondered how the musings of a dying man could make much of a novel, but this is a feast of words, a banquet of mouth-watering and evocative descriptions. Alison Anderson has done a first class job of translation. This is truly a treat to relish.

Look Me In The Eye: My Life With Asperger’s is the first book by John Elder Robison. Not diagnosed with Asperger’s until he was forty, Robison describes himself as a misfit. In this book he tells of growing up in an extremely dysfunctional family. Some of the story has been told by his younger brother Chris, better known as Augusten Burroughs, in Running With Scissors. He goes on to tell of his life after dropping out of high school, his fascination with all things electronic, his life with the band, making smoking guitars for KISS, engineering at Milton-Bradley, and eventually becoming his own boss repairing European cars. All this is told in a matter-of-fact and totally unsentimental way (as you would expect from an Aspergian), and with the benefit of hindsight, Robison explains his actions and reactions. This book is interesting and insightful; it is also very funny: Robison’s chapters on post-hole diggers, plastic cocaine and many other pranks, having a baby, and choosing a wife produce giggles, snickers and laugh-out-loud moments. An interesting comment on Asperger’s and on life in general.

The Enchantress of Florence is the 10th book by Salman Rushdie. Set amongst the extremes and excesses of Renaissance Florence and in the city of Fatehpur Sikri in Mughal India, it tells the story of a hidden Mughal princess, Princess Qara Köz, the Lady Black Eyes, also known as Angelica, who had the ability to enchant both men and women. The story is told to the Hindustan Emperor Abul-Fath Jalaluddin Muhammad Akbar, The Grand Mughal, grandson of Babar, by a Florentine storyteller dressed in a long patchwork cloak made up of bright harlequin lozenges of leather, the yellow haired Niccoló Antonino Vespucci, who called himself Mogol dell’Amore, and seems also to be an enchanter. Akbar, listening to him, thought: “…that witchcraft requires no potions, familiar spirits or magic words. Language upon a silvered tongue affords enchantment enough.” This tale abounds with battles won and lost, villains and heroes, slaves and sultans, soldiers and sailors, witches and magic, lovers real and imaginary; the Medicis, Machiavelli, Argalia, various Vespuccis and Vlad the Impaler all make an appearance. While Rushdie’s usual wordplay and much of his magical reality are absent, this novel is full of luscious prose; there is much rich detail, the characters are memorable and the plot is excellent; it had some of the feel of Haroun and the Sea of Stories. I enjoyed this book much more than either Midnight’s Children or the Moor’s Last Sigh.

Catching Fire is the second book of the Hunger Games Trilogy by Suzanne Collins. Set some six months after the end of the Hunger Games, Katniss Everdeen and Peeta Mellark are required to take part in the Victory Tour through each of the Districts to keep the power of the Capitol and the consequences of rebellion uppermost in the minds of the people. Relations between Katniss and Gale Hawthorne are strained. There are some rumours of uprisings in the other districts. The repulsive President Snow gives Katniss an ultimatum. Once again, fast-paced and filled with action, Collins leaves the reader wanting more. Can't wait for Mockingjay

The Eyre Affair is the first novel by Jasper Fforde, and the first in the Thursday Next series. Thursday Next is a SpecOps 27 operative, a LiteraTec, who deals in crimes against literature. The novel is set in 1985, when England has been at war with Russia over Crimea for some 130 years, time travel is not uncommon and Wales has seceded from UK and is a Republic. Fforde includes delightfully ridiculous names and the inventions of Thursday's uncle, Mycroft Next are quite wonderful. I am glad I made the effort to read Jane Eyre before reading this. Reading this novel was unadulterated pleasure and I look forward starting on the next in the series, Lost in a Good Book.

The Boy in the Striped Pyjamas is the 5th novel by Irish author John Boyne. It is a holocaust tale from a different perspective: that of the naïve and innocent young son of a concentration camp commandant. He asks his father when they arrive if his father has done something bad at work to be punished in this way, being sent by the Fury to this awful place, Out With. Bored, and missing his friends in Berlin, Bruno eventually sets out to explore, and meets, on the other side of a big fence, a boy in striped pyjamas. It is a friendship with tragic consequences. The device of using a child’s narration to describe something he cannot understand, but that is perfectly clear to the adult readers, is a clever one, but some glaring inconsistencies make this story less credible than it could have been, and perhaps detract from its strength. Bruno seems too naïve for a German 9 year-old in 1943, especially about Jews and Hitler; the idea that Shmuel has the time and opportunity to sit alone by the fence daily seems very unlikely; that the fence is not regularly patrolled, and that it has a gap the size of a small boy, again unlikely; the other children in this novel also seem far too naïve. The Fury and Out With, I can accept as a literary device, and these are effective, in their way. Inconsistencies aside, Boyne does depict the setting very skilfully and builds the main character well. As a Holocaust fable, I guess it gets a message across, but I’m not sure for whom or what exactly that message is: maybe, tell your children the truth, don’t try to protect them from uncomfortable facts? I enjoyed reading it but I thought The Book Thief was much better.

The Dog Who Came In From The Cold is the second in the Corduroy Mansions series by Alexander McCall Smith. Once again we join the people of Corduroy Mansions and their friends. An acquaintance who works for MI6 visits wine merchant William French, and his Pimlico terrier, Freddie de la Hay, is drafted to serve his country. Berthea Snark’s brother Terence Moongrove finds his new Porsche makes him feel amorous and is excited about water memory and morphic resonance. Caroline tries to decide whether she wants a relationship with comfortable James or exciting Tim. Barbara Ragg goes on vacation to Scotland with her new fiancé Hugh Macpherson and meets her future in-laws. Berthea Snark has to take action against a pair of charlatans out to fleece Terence. Dee lies and steals and tries to market her goods in a new way. Barbara’s partner at the Ragg Porter Literary Agency betrays a trust and is caught out. Aussie flatmate Jo gives Caroline some very sound advice. There is a delightful piece on homeopathy and risotto gets a few mentions. William’s feckless son Eddie berates him, with justification. And William effects a dramatic rescue. And throughout the happenings, we are treated to McCall Smith’s gentle philosophy and wry humour. I found myself constantly smiling, chuckling, giggling and many occasions, laughing out loud. McCall Smith manages to examine issues in everyday life and still leave the reader feeling good and wanting more. I loved this book.

The Secret of Everything is Barbara O’Neal’s second novel. This is the story of thirty-seven year old Tessa Harlow, who leads hiking tours for adventurous vacationers. After a freak injury in a hiking trip marred by tragedy, Tessa is drawn to the New Mexico town of Los Ladrones, once the setting of a childhood trauma that Tessa can only remember in confusing flashes. The story is told in several voices: Tessa, looking for her past; Sam, her ex-hippie, surfer father, running away from that past; Vince Grasso, a widowed search and rescue worker and father of three daughters; Natalie, Vince’s troubled eight-year-old; Vita Solano, the proprietor of the town’s most beloved eatery, 100 Breakfasts Café; and Annie Veracruz, a recent prison parolee and employee at 100 Breakfasts. As Tessa explores the town on the pretext of setting up a hiking and gourmet cooking tour, she visits the Green Gate farm, the latest incarnation of the 70’s commune when she spent her early childhood. A heart-warming story of family, food and love, this novel has some wonderful characters, evocative descriptions and a plot with a few surprises. Oh, and of course, mouth-watering recipes! I look forward to Barbara O’Neal’s next novel.

Fury is Salman Rushdie’s 8th novel. Professor Malik Solanka, historian and doll-maker, is living in New York, alone, voluntarily celibate, angry and afraid. He has left behind in England, Eleanor, his wife of fifteen years and his beloved young son Asmaan. He fled when he found himself standing over their sleeping forms with a knife. There’s a fury in him and he fears he’s become dangerous to those he loves. He’s the creator of a doll, Little Brain, of which, when it became a phenomenon, he lost control: it now stands for everything he despises. We follow Solanka’s tale as he tries to overcome his fury by losing himself in America at a time of unprecedented plenty. We learn some of his own backstory and watch his encounters with a young woman in a baseball cap, his acquaintances in New York and then a woman with whom he falls in love. This novel contains some self-deprecating seemingly semi-autobiographical snippets of Rushdie. There is some lovely prose worthy of this author, but much of the novel is Malik’s stream of consciousness which is sometimes amusing or interesting, but is sometimes rather tedious. I enjoyed the backstory of the Puppet Kings and the way it blended into the real world. Not Rushdie’s best work and certainly not my favourite.

Me Talk Pretty One Day is the 6th book of collected essays by David Sedaris. In part one, Sedaris touches on speech therapy for his lisp at school, guitar lessons from a midget, inherited traits, artistic talent, sibling swearing, family pets, working as a teacher, toilet legacies, odd jobs, eating out in NYC, visitors to NYC, outward appearances, and technophobia. Part two focuses mainly on his life with his partner Hugh in France and explores traveling to France, taking French language lessons, feast days, the sex of words, Hugh’s childhood in Africa, word puzzles, movie subtitles, the behavior of vacationing Americans, epic daydreams, food economy and IQ tests. My favorite chapter was Jesus Shaves. I tried to read this to friends but dissolved into laughter every time. Sedaris has the reader constantly smiling, chuckling, giggling and often laughing out loud. Sedaris is witty and clever and reading his work is an unalloyed pleasure.

The Hunger Games is the 7th book by Suzanne Collins and the first in the Hunger Games trilogy. It is set in a future time, in a country called Panem, situated in the remains of North America. Panem consists of the Capitol and 12 surrounding Districts, and is a place where life is decidedly less than pleasant for the majority of the population. Narrated by Katniss Everdeen, a 16-year-old from District 12, it describes a society strictly governed, lives of deprivation, reduced to illegal hunter-gatherer activities to avoid starvation, and tells of the hardship of surviving. Katniss is one of 24 “tributes”, picked by lottery in each District, to participate in a “Survivor”-type situation, the annual (and nationally televised for compulsory viewing) Hunger Games, a fight to the death with only one winner. It is clear that Collins has done extensive research into hunting, gathering and wilderness survival. The novel emphasises the contrasts between the sumptuous wealth of Capitol and poverty of the Districts. The story reflects real life in that it shows how important image, strategy and sponsors are to success. It is ultimately shows real life stresses condensed in time and magnified in intensity. Think reality TV mixed with wartime battles: this is where Collins got her inspiration. Definitely not Capital L literature, but a page-turner and addictive all the same: you will be seeking out the second installment, Catching Fire.

The Silent Girl is the 9th book in Tess Gerritsen’s Rizzoli/Isles series. A severed hand found in a Chinatown alley leads Jane Rizzoli to the owner of the hand on a rooftop: a woman almost decapitated. Investigation eventually links the body with a murder/suicide nineteen years earlier in a Chinatown restaurant that left five people dead. As Rizzoli and her team review the case, it appears that one woman connected to the massacre, a martial arts master, is unconvinced about the conclusions made in that investigation. Gerritsen once again gives us an imaginative plot with twists to the very last chapter, realistic characters and authentic dialogue. The feel of Chinatown and the Chinese mindset are deftly portrayed, obviously from first-hand knowledge. Once again, we are presented with a wealth of interesting facts in an easy-to-assimilate form, this time about hair analysis, ancient Chinese weaponry, metal analysis, Chinese legend & folklore and running amok. Gerritsen touches on police brutality, prejudice, collective guilt of an ethnic group, sexual predators, Chinese language and the Irish Mafia. The antics of Rizzoli’s family once again provide some lighter moments, and Johnny Tam, a Chinese-born detective seconded to help out, makes a laugh-out-loud statement: “I wish I could speak Cantonese, but it’s like Greek to me”. I noticed that Maura’s autopsy measurements were in centimetres rather than inches and I wondered if this is usual practice in this field in USA. A character from Maura’s adventure in The Killing Place makes a welcome appearance. Once again, a thoroughly enjoyable Gerritsen page-turner: I look forward to the next Rizzoli/Isles instalment.

The Great Fire is the 5th novel by Australian author, Shirley Hazzard. Set firstly in immediate post-war Japan and Hong Kong, then in England and New Zealand, this is the story of Aldred Leith, author, researching a book on China and Japan and Peter Exley, solicitor and fine art enthusiast, investigating Japanese war crimes. Leith encounters, whilst researching Hiroshima, a brother and sister, Ben and Helen Driscoll. Ben has a condition which is slowly killing him. Helen is on the cusp of adulthood. Essentially a love story, this novel is filled with beautiful, descriptive prose, but builds very slowly and Hazzard seems somewhat detached from her characters. Her love of literature is apparent. I liked the device Hazzard used to indicate thoughts during dialogue. ‘this is what he said’, and what he thought as he was saying it, ‘and what else he said’. It certainly made me pay attention to the quotation marks. As with the Transit of Venus, this novel is beautifully written and lovers of language will enjoy the experience. I found the plot and the characters much better than Transit and overall, certainly a more satisfying novel than The Transit of Venus.

Corduroy Mansions is the first of the Corduroy Mansions series by Alexander McCall Smith. This novel is along the same style as the 44 Scotland Street series: it was originally published on the Telegraph.co.uk website in daily chapters. The setting here is a run-down block of flats in Pimlico. The residents are William, a wine merchant and his lazy son Eddie; the girls in the first floor flat, Caroline, Jenny, Dee and Jo; and Basil Wickramsinghe. Associated characters are William’s friend, caterer Marcia; Caroline’s friends, fellow student James and photographer Tim Something; Jenny’s boss, MP Oedipus Snark; Oedipus’ girlfriend, publisher Barbara Ragg; Oedipus’ mother, psychologist Berthea and her brother Terence, an enthusiast of Sacred Dance; Barbara Ragg’s partner, Rupert Porter; and, last, but certainly not least, Freddie de la Hay, a Pimlico terrier, retrenched airport sniffer dog and eventual companion to William.
I have read criticism of this book that it is the same as 44 Scotland Street. I don’t agree and unless it was word for word and character for character the same, anything written by Alexander McCall Smith is worth reading. His books are about his characters, their foibles and virtues, and their interactions with each other and the world at large. Their comments about people and situations are what makes McCall Smith’s books such a joy to read. His sharp powers of observation of the human race translate to characters and dialogue that we can all identify with, having had those thoughts ourselves or heard those comments from others. I spend the whole of these novels chuckling or laughing out loud. Can’t wait for the second installment, The Dog Who Came In From The Cold.

The Killing Place is the 8th in Tess Gerritsen’s Rizzoli/Isles series. It’s cold, it’s November and Maura Isles is in Jackson Hole, Wyoming, for a pathologists’ conference. Things are less than ideal in her relationship with Daniel Brophy, and whilst at the conference, she runs into a college acquaintance, Doug Comley. She makes an impulsive choice to accompany his party to an isolated ski lodge and finds herself, their vehicle stranded in deep snow, in the deserted village of Kingdom Come. When Maura appears to have gone missing, Jane Rizzoli, Gabriel Dean and Daniel Brophy fly to Wyoming to investigate. Their crashed vehicle with four badly burned bodies inside seems to indicate the worst for Maura. Gerritsen departs from her usual crime committed, investigated and pathology done formula: this book has a bit of a Karin Slaughter feel. But once again, an original plot with twists to the end (if you think you know whodunit, you will get a surprise!), credible characters and authentic dialogue. Once again, we are treated to plenty of interesting facts in easily-digestible morsels, this time about the autopsy of poisoning victims, septicaemia and cult religious groups. Gerritsen touches on Stockholm syndrome, polygamy, paedophilia, police corruption, charismatic leaders, mass suicide, gangrene, amputation and toxic waste disposal. Another great Gerritsen read.

The Bone Garden is the 13th stand-alone novel by Tess Gerritsen. While it is not a Rizzoli/Isles book, Maura Isles does make a fleeting appearance at the beginning of the book. The novel tells two stories set in different time periods. The present day story concerns recently-divorced Julia Hamill who uncovers the skeleton of a female murder victim whilst digging the garden of her just-purchased home. It turns out the body has been buried sometime before 1840, and Julia is intrigued about the circumstances of the murder and burial. Then Henry Page, the elderly cousin of Hilda Chamblett, the recently-deceased former owner of Julia’s house, contacts her with information which may solve the puzzle. As they sift through the letters and newspaper clippings Hilda left behind, the main story comes out. It occurs in 1830 in Boston, where medical student Norris Marshall is engaging in grave robbing to pay for his tuition. When two nurses and a doctor are brutally murdered, Norris becomes a suspect. Somehow, Irish seamstress Rose Connolly and her newborn, orphaned niece, Meggie are involved. Oliver Wendell Holmes, one of Norris’s fellow med students, joins him in an effort to prove his innocence.
Gerritsen gives us a gripping plot with quite a few twists, interesting characters, some of whom are not what they first seem and credible dialogue. Add to this a gutsy 19th century heroine and you have a great tale. Gerritsen also drops in snippets of information about the discovery of infection control, surgery in the 19th century, Rosicrucians and abolitionism. Julia manages to discover the identity of her skeleton, and the murderer, making this the ultimate cold case. A great Gerritsen read.

Caleb’s Crossing is the fourth novel by Geraldine Brooks. As with her other novels, fiction is built on fact. In this case the fact is the life of Caleb Cheeshahteaumauk, the young son of a Wampanoag chieftain, who, in 1665, was the first Native American to graduate from Harvard College. The story is narrated by Bethia Mayfield, the daughter of a Calvinist minister living on the island of Noepe (Martha’s Vineyard), and begins when twelve-year-old Bethia meets Caleb whilst she is out gathering clams. Bethia’s diary paints a vivid picture of life in an English Puritan settlement in the 17th century, and the effects on both cultures of interaction with the Native population. As events unfold, we watch Bethia, in her innocence and ignorance, using faulty logic, come to incorrect conclusions and thus suffers unwarranted guilt. As Bethia grows and matures, so does her narrative voice. The struggle between the English ministers and the Native medicine men for the acceptance of their beliefs amongst the native population is well portrayed. Caleb’s stubborn uncle, medicine man Tequamuk, seems remarkably prescient on the subject of the future of Native Americans.
Each time I pick up a book, fiction or non-fiction, by Geraldine Brooks, I look at the description on the jacket and wonder if I am going to like this one. By now, I should have learned that, no matter the subject matter, this author does not disappoint her readers. The depth of her research stands out. Her characters are always well developed, the dialogue is authentic, and she manages to convey the mood and atmosphere perfectly. Brooks manages to squeeze a wealth of facts into an easily-digestible package. I laughed and cried. I especially loved Caleb’s explanation and opinions on the native and English gods. I enjoyed this novel more than I expected to. It was engrossing and enlightening. The afterword was especially interesting. Once again, Brooks gives us a wonderful read.

The Mephisto Club is the 6th of Tess Gerritsen’s Rizzoli/Isles series. On Christmas Eve, Rizzoli and Isles are called to a horrific murder scene where the female victim has been decapitated and dismembered. During the autopsy, however, they realise there must be more than one victim as the left hand does not match the arm. And a call has been made from the victim’s phone to Dr Joyce O’Donnell, the neuropsychiatrist who has made a career of defending serial killers. Before they can discover to whom the hand belongs, one of their own, a female police detective, is murdered in the backyard of a house where Joyce O’Donnell is dining. Symbols and words at both crime scenes, made with an unusual ochre clay, point to a Satanic element; or do they? When events in Isles’ personal life coincide with the same symbols on her own front door, the action really starts to heat up. And Rizzoli has problems of her own with the way her parents are behaving. Gerritsen gives us two back stories which will have the reader convinced they know who the culprit is, although everyone but Rizzoli starts to wonder if their perp is, in fact, human. Gerristen touches on celibacy in the Church, secret societies, Satanic possession, mid-life crisis, and whether evil can have a physical form. Once again, Rizzoli provides some humour; the story is full of suspense and has plenty of twists and turns to keep the reader engrossed. Another Gerritsen winner.

Vanish is the fifth of Tess Gerritsen’s Rizzoli/Isles series. The story starts with Maura Isles discovering a female in a body bag, an apparent drowning victim, who isn’t dead. Transferred to the hospital, the woman becomes violent, shoots a security guard and takes hostages. Jane Rizzoli, about to give birth, happens to be in the wrong place and becomes one of the hostages. Her husband, FBI Agent Gabriel Dean, her Boston PD colleagues and Maura Isles spare no effort trying to track down the woman’s identity and her reasons for the siege. Once again, Gerritsen brings the reader a gripping drama, with Jane Rizzoli providing many lighter moments. In the court scene, Rizzoli conclusively proves that, even at 9 months pregnant, she is still a cop. As well as exploring Rizzoli’s doubts about her mothering ability and her concern with her lack of maternal instinct (topical for many first-time mothers), Gerritsen touches on subjects as diverse as sex slave trafficking, war profiteering and sieges and negotiators. As always, an excellent plot with a few twists makes this book hard to put down. Gerritsen at her finest.

The Apprentice is the second novel in Tess Gerritsen’s Jane Rizzoli/Maura Iles series, and the first book in which Maura Iles makes her appearance. About a year after Rizzoli solved “The Surgeon” case and sent Warren Hoyt to jail, another hot Boston summer sees another serial killer on the loose. This killer is mimicking many of The Surgeon’s actions, but with some differences. As Warren Hoyt is safely locked up, is this a copycat? As well as dealing the with the psychological scarring the Surgeon inflicted on her, Rizzoli is once again up against her male chauvinist colleagues, but now there’s also an (extremely attractive) FBI agent, Gabriel Dean, who has involved himself in her case (why?). The autopsies are performed by the very efficient Maura Iles, often dubbed “The Queen of the Dead”. Soon, to everyone’s dismay, Hoyt is no longer in custody, and it seems the killers are a team. Even as she is giving us a solid plot enriched with detail, Gerritsen once again touches on issues: women needing to prove themselves capable and strong; the “victim” role; the use of neuropsychiatry as a defence; is the hunting instinct in our DNA and if so, what stops us as humans from acting on our less appropriate instincts. The characters, the dialogue, the descriptions are all convincing. Plenty of suspense: another page-turner. I’m looking forward to reading The Sinner.