BookBrowse Reviews America America by Ethan Canin

Summary |  Excerpt |  Reading Guide |  Reviews |  Beyond the book |  Readalikes |  Genres & Themes |  Author Bio

America America

A Novel

by Ethan Canin

America America by Ethan Canin
  • Critics' Opinion:

    Readers' Opinion:

     Not Yet Rated
  • First Published:
    Jun 2008, 480 pages
    Paperback:
    May 2009, 480 pages

  • Rate this book


Book Reviewed by:
Amy Reading

Buy This Book

About this Book

Reviews

BookBrowse:


A novel about America as it was and is, an exploration of how vanity, greatness, and tragedy combine to change history and fate

America America is a great read but a worrisome think, if I may coin a phrase. Ethan Canin writes in the storytelling tradition of Richard Russo: a slow, detailed, fully realized, and gratifying portrait of small-town America. Yet his uncritical, almost adoring tale of wealth and power bothered me, and I wondered why this novel is being promoted so heavily at this moment in time.

The novel is masterfully plotted. Canin takes a linear story—the rise and fall of a powerful family—and twists it into a mobius strip. He immerses his reader in the past, but then continually interrupts that immersion, returning to the present moment of narration in order to give a retrospective viewpoint. This allows him to draw out a familiar story, making the reader feel like an insider because of how much she knows without being told. It also allows him to fold two different moments into one, like shuffling a deck of cards. In this passage, young Corey is simultaneously in an airplane flown by Mrs. Metarey and back at home narrating the experience to his mother:

And then we were through, out into the sun that lit a sea of white to the horizon. I have to admit I think I shouted.

"Oh, no," said my mother. "What did you shout?"

"I don't know. 'Wow,' or something."

Mrs. Metarey turned and smiled. She made a whoop.

"Women's lib," said my mother.

The novel is filled with such graceful moments. Then periodically Corey Sifter steps out of the narration altogether, and the story is moved forward by a primary document interlaced without comment, such as an autopsy report or a newspaper article. Canin has full command of the unscrolling of his story.

Where the novel falls short, however, is in the delineation of its characters. With his narrator and protagonist, Canin has written himself into a bind. On the one hand, Corey Sifter must be Everyman, an ordinary boy who gives us a window into the inner workings of an extraordinary, privileged family. On the other hand, Corey must himself be extraordinary in order to justify his inclusion in the family and his presence at nearly every important moment in their lives. Too often, Canin resorts to ham-handed ways of conveying character. One of the Metarey daughters is made to repeat on three separate occasions, "Corey Sifter, you are different from the rest," despite the fact that Corey is never more than blandly deferential in his interactions with the great and mercurial family.

Yet character is the very key to the novel's understanding of American politics. Canin writes,

"For a man on the rise in politics, power first comes through character—that combination of station and forcefulness that produces not just intimidation, which is power's crudest form, but flattery, too, which is one of its most refined. After that, power begins to grow from its own essence, rising no longer exclusively from the man but from the office itself."

Note his use of the word "station," a word whose frequency in the novel is only matched by the word "rank." Certainly Canin understands and dramatizes the social mobility that distinguishes America from more class-bound societies. The Metarey fortune was founded by Eeoghan, a dirt-poor Scottish immigrant who rode the Industrial Revolution with remorseless savvy. His son, Liam, strives to compensate for Eeoghan's cruelty toward his workers by administering his inheritance with liberal benevolence, yet as Corey says mournfully, "[the] family produced the great patriarch, and now with each generation…we regress closer to the mean." As the Metareys decline, Corey moves up in the world, and his story is the story of "any kid whose ambition takes him beyond his rank." Yet for all that he profits from the fluidity of class in America, Corey—and hence Canin—is discomfortingly nostalgic for a past that never was, a time when station helped determine character and old money produced gentlemanly heroes. Corey never modulates his admiration for Liam's charisma and noblesse oblige, even when he witnesses events that should cause him to question the toll on integrity that power exacts.

A book called America America loudly signals its ambition and its symbolism. Other reviewers hold it up to Theodore Dreiser's An American Tragedy, F. Scott Fitzgerald's The Great Gatsby, and Robert Penn Warren's All the King's Men. But I must be suspicious of an American fable which features only white people, a book which aims to represent American identity but which encompasses none of the contestations that have gone into the making of the nation. In the end, I'm left with a question whose answer I suspect is unpleasant: why is this book being touted at a time of widespread criticism over the growing gap between the rich and the poor in America? What cultural work does this re-imagining of recent American history perform?

Reviewed by Amy Reading

This review was originally published in August 2008, and has been updated for the May 2009 paperback release. Click here to go to this issue.



This review is available to non-members for a limited time. For full access become a member today.
Membership Advantages
  • Reviews
  • "Beyond the Book" backstories
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $10 for 3 months or $35 for a year
  • More about membership!

Support BookBrowse

Become a Member and discover books that entertain, engage & enlighten!

Join Today!

Editor's Choice

  • Book Jacket: The Dark Flood Rises
    The Dark Flood Rises
    by Margaret Drabble
    Margaret Drabble, the award-winning novelist and literary critic who is approaching eighty and ...
  • Book Jacket: All Our Wrong Todays
    All Our Wrong Todays
    by Elan Mastai
    You need a great deal of time to read All Our Wrong Todays, but don't let that put you off. ...
  • Book Jacket: Dadland
    Dadland
    by Keggie Carew
    In her notable debut, Keggie Carew examines the life of her father Tom, a decorated war hero whose ...

Book Discussion
Book Jacket
The Atomic Weight of Love
by Elizabeth J. Church

In the spirit of The Aviator's Wife, this resonant debut spans from World War II through the Vietnam War.

About the book
Join the discussion!

First Impressions

  • Book Jacket

    Our Short History
    by Lauren Grodstein

    Lauren Grodstein breaks your heart, then miraculously pieces it back together so it's stronger, than before.
    Reader Reviews

  • Book Jacket

    Mercies in Disguise
    by Gina Kolata

    A story of hope, a family's genetic destiny, and the science that rescued them.
    Reader Reviews

Who Said...

If every country had to write a book about elephants...

Click Here to find out who said this, as well as discovering other famous literary quotes!

Word Play

Solve this clue:

O My D B

and be entered to win..

Books that     
entertain,
     engage

 & enlighten

Visitors can view some of BookBrowse for free. Full access is for members only.

Join Today!

Your guide toexceptional          books

BookBrowse seeks out and recommends books that we believe to be best in class. Books that will whisk you to faraway places and times, that will expand your mind and challenge you -- the kinds of books you just can't wait to tell your friends about.

 
Modal popup -