Marshalsea Prison: Background information when reading The Devil in the Marshalsea

Summary |  Excerpt |  Reviews |  Beyond the Book |  Readalikes |  Genres & Themes |  Author Bio

The Devil in the Marshalsea

by Antonia Hodgson

The Devil in the Marshalsea by Antonia Hodgson X
The Devil in the Marshalsea by Antonia Hodgson
  • Critics' Opinion:

    Readers' Opinion:

  • Paperback:
    Jun 2014, 400 pages

  • Rate this book


Book Reviewed by:
BookBrowse First Impression Reviewers
Buy This Book

About this Book

Marshalsea Prison

This article relates to The Devil in the Marshalsea

Print Review

A fragment of a wall is all that is left of Marshalsea Prison.

But Charles Dickens has made sure that its memory lives on. His father was imprisoned in Marshalsea Prison in 1824. He owed forty pounds to a local baker (about 3000 pounds today). Charles scurried around the city trying to collect money on his father's behalf but it was insufficient and his father was arrested. Dickens was only twelve years old at the time. While the rest of his family moved into the prison with his father, he took up lodging nearby, worked full time and used the money to support them and his lodging. The whole experience left a huge, terrible impression on him; one that he never quite shook off. It showed up in his work often.

Marshalsea PrisonMarshalsea Prison was active from medieval times through 1842. The original gaol (prison) was on the south bank of the River Thames, near Mermaid Court in Southwark. The exact date of its construction is unknown. It was initially used to hold pirates and smugglers and other people who committed crimes at sea. It was destroyed by rebels in 1381, and then again in 1450. Under Elizabeth I, it was used as a prison for debtors, as well as dissenters. But it was also used to house people who simply defied authority. Poet Christopher Brooke was imprisoned at Marshalsea in 1609 for helping his friend John Donne marry Anne More – without Anne's father's consent.

Charles DickensA debtor's length of stay at Marshalsea was often at the whim of the creditor. The prison was run privately, and for profit, and spanned the gamut from luxurious to squalid. There were two separate area for prisoners - the master's side, which consisted of rooms for rent and the common side, where people were locked up. As long as they didn't cause trouble and paid their rent, families were allowed to live on the master's side, which was the case for Dickens' family. If a debtor could pay, he was allowed access to a bar and restaurant, as well as the privilege of leaving for the day, which was critical because then he could work, make money, pay off his creditor and, ultimately, be allowed to leave. Those who weren't so lucky, though, were crammed into small rooms, unable to pay off their (sometimes even modest) debts and then racked up prison fees on top of what they already owed.

Marshalsea Prison wallMarshalsea fell into such disrepair in 1811 that it was closed down. Rebuilt nearby, next to St. George's Church, the new prison is the one that Dickens knew so well. He described it in Little Dorrit as "an oblong pile of barrack building, partitioned into squalid houses standing back to back, so that there were no back rooms; environed by a narrow paved yard, hemmed in by high walls duly spiked at the top." He told John Forster (his biographer, critic and friend) what his father desperately said to him: " If a man had twenty pounds a year, and spent nineteen pounds nineteen shillings and sixpence, he would be happy; but that a shilling spent the other way would make him wretched." Mr Micawber gives the same advice to David Copperfield in Dickens' most autobiographical novel. Charles Dickens kept his father's prison experience a secret his whole life.

Marshalsea Prison in the 18th century, uploaded by SlimVirgin.
A rendering of Charles Dicken's at work in a factory by Fred Bernard.
The remaining wall of the Marshalsea Prison, photo courtesy of SlimVirgin.

This "beyond the book article" relates to The Devil in the Marshalsea. It first ran in the June 18, 2014 issue of BookBrowse Recommends.

This review is available to non-members for a limited time. For full access become a member today.
Membership Advantages
  • Reviews
  • "Beyond the Book" backstories
  • Free books to read and review (US only)
  • Find books by time period, setting & theme
  • Read-alike suggestions by book and author
  • Book club discussions
  • and much more!
  • Just $10 for 3 months or $35 for a year
  • More about membership!

Editor's Choice

  • Book Jacket: Hungry
    Hungry
    by Jeff Gordinier
    Noma, René Redzepi's restaurant in Copenhagen, Denmark, has widely been considered among the ...
  • Book Jacket: With the Fire on High
    With the Fire on High
    by Elizabeth Acevedo
    From Like Water for Chocolate to Ratatouille, writers have recognized the power ...
  • Book Jacket: Lanny
    Lanny
    by Max Porter
    At once beautifully poignant and hauntingly grotesque, Max Porter's Lanny is like an unexpected ...
  • Book Jacket
    Call Me American
    by Abdi Nor Iftin
    As a boy growing up in Mogadishu, the capital of Somalia, Abdi Nor Iftin loved watching action ...

Readers Recommend

  • Book Jacket

    Beirut Hellfire Society
    by Rawi Hage

    A searing and visionary novel set in 1970s Beirut that asks what it means to live through war.
    Reader Reviews

Book Club
Book Jacket
The Guest Book
by Sarah Blake

"An American epic in the truest sense…"
Entertainment Weekly

About the book
Join the discussion!
Win this book!
Win In the Full Light of the Sun

New from Clare Clark!

"Evocative prose and excellent pacing make this fine historical a must-read for art history buffs."
- Publishers Weekly

Enter

Word Play

Solve this clue:

A A A Day K T D A

and be entered to win..

Books that     
entertain,
     engage

 & enlighten

Visitors can view some of BookBrowse for free. Full access is for members only.

Join Today!

Your guide toexceptional          books

BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.