The house on Old Reservoir Road appeared to be in the final phases of construction. I spotted the site as I rounded the curve, recognizing the unfinished structure from Fiona Purcell's description. To my right, I could see a portion of the reservoir for which the road was named. Brunswick Lake fills the bottom of a geological bowl, a spring-fed body that supplied the town with drinking water for many years. In 1953 a second, larger catch basin was established, and now Brunswick is little more than an irregular blue splotchlet on maps of the area. Swimming and boating are forbidden, but seasonally the migrating water birds rest on the placid surface as they make their way south. The surrounding hills are austere, gentle swells rising to the mountains that mark the northernmost boundary of the Santa Teresa city limits.
I parked my VW on the gravel berm and crossed the two-lane road. The steeply pitched lot was still bare of landscaping and consisted entirely of raw dirt and boulders with a dusting of weeds taking hold. At street level, a big commercial Dumpster was piled high with debris. A small grove of signs planted in the yard announced the names of the building contractor, the painting contractor, and the architect, though Mrs. Purcell had been quick to assure me by phone that she'd drawn up the plans herself. The design--if that's what you want to call it--would have been approved by the Department of Defense: an implacable series of concrete boxes, staunch and unadorned, stacked up against the hillside under a pale November sun. The facade was as blank as a bunker, a radical contrast to the sprawling Spanish-style homes on adjacent properties. Somewhere to the rear of the house, there must have been a driveway leading to garages and a parking pad, but I opted for the stairs built into the barren hillside. At six a.m., I'd done a three-mile jog, but I'd skipped my Friday-morning weight lifting to keep this early appointment. It was just now eight o'clock and I could feel my butt dragging as I mounted the steps.
Behind me, I could hear a dog bark. Its deep-throated yaps echoed through the canyon, conveying a message of excitement. A woman was calling, "Trudy! Truuddy!" while the dog barked on. She emitted a piercing whistle, and a young German shepherd came bounding over the hill, heading in my direction at full speed. I waited, bracing myself for the force of muddy feet, but at the last possible second, the whistle came again and the dog sprinted off. I continued climbing Fiona's wide concrete steps, tacking twice before I reached the upper terrace with its plain limestone portico that shaded the front entrance. By then, my thighs were burning, I was huffing and puffing, and my heart was rat-a-tat-tatting like machine-gun fire. I could have sworn there was less oxygen in the air up here, but I'd actually only climbed the equivalent of two stories and I knew it was probably no more than three- to four-hundred feet above sea level. I turned, pretending to admire the view while I recovered my breath.
From this aerie, I could see the broad, shimmering band of the Pacific Ocean stitched to the shoreline some five miles away. Before me, the day was so clear, I could almost count the mountain ridges on the islands twenty-six miles out. Behind me, the clouds were peering over the mountaintops, a fast-moving blanket of dark gray in advance of a storm. San Francisco, four hundred miles to the north of us, was already feeling its lash.
By the time I rang the bell, my breathing had slowed and I'd done a quick mental review of the subject I was here to discuss. Fiona Purcell's ex-husband, Dr. Dowan Purcell, had been missing for nine weeks. She'd had a messenger deliver a manila envelope filled with newspaper clippings that recapped events surrounding his disappearance. I'd sat in my office, tilted back in my swivel chair, my Sauconys propped on the edge of my desk while I studied the articles she'd sent. She'd arranged them chronologically but had otherwise presented them without editorial comment. I'd been following the story in the local papers, but I'd never anticipated my involvement in the case. I found it helpful to have the sequence laid out again in this truncated form.
From P Is for Peril, by Sue Grafton. June 4, 2001, Putnam Pub Group used by permission.
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No Man's Land
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