Excerpt from Echo Burning by Lee Child, plus links to reviews, author biography & more

"Light as I can."

She paused for a fast mile.

"Are you out of work?" she asked.

He nodded. "Usually."

"Were you a good cop? In the army?"

"Good enough, I guess. They made me a major, gave me some medals."

She paused. "So why did you leave?"

It felt like an interview. For a loan, or for a job.

"They downsized me out of there," he said. "End of the Cold War, they wanted a smaller army, not so many people in it, so they didn't need so many cops to look after them."

She nodded. "Like a town. If the population gets smaller, the police department gets smaller, too. Something to do with appropriations. Taxes, or something."

He said nothing.

"I live in a very small town," she said. "Echo, south of Pecos, like I told you. It's a lonely place. That's why they named it Echo. Not because it's echoey, like an empty room. It's from ancient Greek mythology. Echo was a young girl in love with Narcissus. But he loved himself, not her, so she pined away until just her voice was left. So that's why it's called Echo. Not many inhabitants. But it's a county, too. A county and a township. Not as empty as Loving County, but there's no police department at all. Just the county sheriff, on his own."

Something in her voice.

"Is that a problem?" he asked.

"It's a very white county," she said. "Not like Pecos at all."

"So?"

"So one feels there might be a problem, if push came to shove."

"And has push come to shove?"

She smiled, awkwardly.

"I can tell you were a cop," she said. "You ask so many questions. And it's me who wanted to ask all the questions."

She fell silent for a spell and just drove, slim dark hands light on the wheel, going fast but not hurrying. He used the cushion-shaped buttons again and laid his seat back another fraction. Watched her in the corner of his eye. She was pretty, but she was troubled. Ten years from now, she was going to have some excellent frown lines.

"What was life like in the army?" she asked.

"Different," he said. "Different from life outside the army."

"Different how?"

"Different rules, different situations. It was a world of its own. It was very regulated, but it was kind of lawless. Kind of rough and uncivilized."

"Like the Wild West," she said.

"I guess," he said back. "A million people trained first and foremost to do what needed doing. The rules came afterward."

"Like the Wild West," she said again. "I think you liked it."

He nodded. "Some of it."

She paused. "May I ask you a personal question?"

"Go ahead," he said.

"What's your name?"

"Reacher," he said.

"Is that your first name? Or your last?"

"People just call me Reacher," he said.

She paused again. "May I ask you another personal question?"

He nodded.

"Have you killed people, Reacher? In the army?"

He nodded again. "Some."

"That's what the army is all about, fundamentally, isn't it?" she said.

"I guess so," he said. "Fundamentally."

She went quiet again. Like she was struggling with a decision.

"There's a museum in Pecos," she said. "A real Wild West museum. It's partly in an old saloon, and partly in the old hotel next door. Out back is the site of Clay Allison's grave. You ever heard of Clay Allison?"

Reacher shook his head.

"They called him the Gentleman Gunfighter," she said. "He retired, actually, but then he fell under the wheels of a grain cart and he died from his injuries. They buried him there. There's a nice headstone, with 'Robert Clay Allison, 1840-1887' on it. I've seen it. And an inscription. The inscription says, 'He never killed a man that did not need killing.' What do you think of that?"

From Echo Burning by Lee Child. (c) June 2001, Putnam Pub Group, used by permission