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Excerpt from In Harm's Way by Doug Stanton, plus links to reviews, author biography & more

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In Harm's Way

by Doug Stanton

In Harm's Way by Doug Stanton X
In Harm's Way by Doug Stanton
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  • First Published:
    Apr 2001, 320 pages

    Paperback:
    May 2002, 384 pages

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Now, after docking at Hunters Point, McCoy stood below-decks in his tiny compartment before a stainless steel mirror -- on warships, broken glass is a hazard -- staring at the face that had become his own during his thirteen-month tour of duty. At eighteen, he had the sharp eyes of a boy but the quick grimace of an old man. He fastidiously dry-shaved, ran a comb through his black wavy hair, did a quick re-buff of his duty shoes, and bounded up the ladder, or stairs, topside for duty.

Usually, Hunters Point harbored some fifteen warships, all in various stages of repair and resupply. But this morning the shipyard was empty; only a few seagulls screeched into the pale blue sky. Accompanying them were the musical lap and ping of black water against the Indy's gray, steel hull. Along the rail of the ship, the crew milled and stared at the wharf, as if trying to read signals from the silent tableau of warehouses, camouflaged trucks, and empty piers.

Approaching Captain Parke, McCoy requested an inspection of his appearance before assuming duty. Parke checked the razor creases in McCoy's pants, the angle of his cover, or hat, atop his head.

"You may proceed, McCoy."

"Yes, sir!"

A dock crew had wheeled a gangway up to the Indy's quarter-deck which served as its main entry and exit. McCoy stepped down and assumed his position of duty: chest out, hands at his sides, a loaded Browning .45 hanging from his canvas duty belt, one round in the chamber.

Until given further orders, he was to let no man onto the ship who was not authorized. He was scheduled to get off duty at noon; because of the mid-morning relocation to Hunters Point, his watch was slightly abbreviated. He hoped the cargo came on before he was relieved, however.

The Indy was operating in a battle-ready state known as Condition Able, which meant that the boys were on watch for four hours and then off for four, an exhausting, relentless schedule that left little time for sleep and induced in the boys a dreamlike state of jittery wakefulness. And yet, McCoy felt lucky to be aboard the Indy. On a ship, marines liked to say, no one was ever shooting at you, at least at close range. The competitiveness between the two military branches was good-hearted but persistent. Sailors called marines "gyrenes" and marines called sailors "swabbies" New officers were mocked as "shave-tails." (There was no end to the nicknames: Engineers were called "snipes"; the bridge crew was known as "skivvy wavers because they waved flags while executing semaphore, a silent means of communication between ships at sea; and members of gunnery crews were called "gunneys.")

But as sailors liked to tell those who thought navy life was comfortable, "When the battle-shit hits the fan on a ship, you can't dig a hole and hide. You have to stand and take it."

Private McCoy had been pulling temporary guard duty at the amputee hospital on Mare Island when he received the call to return. It was a job he liked; he enjoyed the way the amputees, many of them his age and veterans of the invasion of Iwo Jima that had taken place almost five months earlier, hooted and hollered as they raced their wheelchairs down the steep hill leading from the hospital to the guard shack.

He was easy on them when they tried smuggling booze into the marine barracks. They hid the bottles in the hollow of their fake legs, and McCoy could hear them clunking around inside -- step, shuffle, clunk-step -- as they approached.

"For crissakes," he told them, "why don't you wrap those things in towels? Your sergeant catches you, you'll be court-martialed!" They smiled, and he let them pass.

McCoy marveled at how these boys had accepted the awful things that had happened to them in war; he wondered how he would react in a similar situation. He hoped he wouldn't have to find out.

Copyright © 2001 by Reed City Productions, LLC.

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