Yamazaki creeps obediently into the carton, feeling the door flap drop shut behind him. On hands and knees, he resists the urge to try to bow.
"He's waiting," the old man says, his brush tip poised above the figure in his hand. "In there." Moving only his head.
Yamazaki sees that the carton has been reinforced with mailing tubes, a system that echoes the traditional post-and-beam architecture of Japan, the tubes lashed together with lengths of salvaged poly-ribbon. There are too many objects here, in this tiny space. Towels and blankets and cooking pots on cardboard shelves. Books. A small television.
"In there?" Yamazaki indicates what he takes to be another door, like the entrance to a hutch, curtained with a soiled square of melon-yellow, foam-cored blanket, the sort of blanket one finds in a capsule hotel. But the brush tip dips to touch the model, and the old man is lost in the concentration this requires, so Yamazaki shuffles on hands and knees across the absurdly tiny space and draws the section of blanket aside. Darkness.
What seems to be a crumpled sleeping bag. He smells sickness-
"Yeah?" A croak. "In here."
Drawing a deep breath, Yamazaki crawls in, pushing his notebook before him. When the melon-yellow blanket falls across the entrance, brightness glows through the synthetic fabric and the thin foam core, like tropical sunlight seen from deep within some coral grotto.
The American groans. Seems to turn, or sit up. Yamazaki can't see. Something covers Laney's eyes. Red wink of a diode. Cables. Faint gleam of the interface, reflected in a thin line against Laney's sweat-slick cheekbone.
"I'm deep in, now," Laney says, and coughs.
"Deep in what?"
"They didn't follow you, did they?"
"I don't think so."
"I could tell if they had."
Yamazaki feels sweat run suddenly from both his armpits, coursing down across his ribs. He forces himself to breathe. The air here is foul, thick. He thinks of the seventeen known strains of multi-drug-resistant tuberculosis.
Laney draws a ragged breath. "But they aren't looking for me, are they?"
"No," Yamazaki says, "they are looking for her."
"They won't find her," Laney says. "Not here. Not anywhere. Not now."
"Why did you run away, Laney?"
"The syndrome," Laney says and coughs again, and Yamazaki feels the smooth, deep shudder of an incoming maglev, somewhere deeper in the station, not mechanical vibration but a vast pistoning of displaced air. "It finally kicked in. The 5-SB. The stalker effect." Yamazaki hears feet hurrying by, perhaps an arm's length away, behind the cardboard wall.
"It makes you cough?" Yamazaki blinks, making his new contact lenses swim uncomfortably.
"No," Laney says and coughs into his pale and upraised hand. "Some bug. They all have it, down here."
"I was worried when you vanished. They began to look for you, but when she was gone-"
"The shit really hit the fan."
Laney reaches up and removes the bulky, old-fashioned eyephones. Yamazaki cannot see what outputs to them, but the shifting light from the display reveals Laney's hollowed eyes. "It's all going to change, Yamazaki. We're coming up on the mother of all nodal points. I can see it, now. It's all going to change."
"I don't understand."
"Know what the joke is? It didn't change when they thought it would. Millennium was a Christian holiday. I've been looking at history, Yamazaki. I can see the nodal points in history. Last time we had one like this was 1911."
"What happened in 1911?"
"It just did. That's how it works. I can see it now."
Reprinted from ALL TOMORROWS PARTIES by William Gibson by permission of G. P. Putnams Sons, a member of Penguin Putnam Inc. Copyright © 1999 by Gibson. All rights reserved. This excerpt, or any parts thereof, may not be reproduced in any form without permission.
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