Excerpt from The Ground Beneath Her Feet by Salman Rushdie, plus links to reviews, author biography & more

The Keeper of Bees

She had been perspiring heavily and the sodden bedsheets stank of the meaningless misery of the nocturnal encounter. Raúl Páramo was unconscious, white-lipped, and his body was galvanized, every few moments, by spasms which Vina recognized as being identical to her own dream writhings. After a few moments he began to make frightful noises deep in his windpipe, as if someone were slitting his throat, as if his blood were flowing out through the scarlet smile of an invisible wound into a phantom goblet.Vina, panicking, leapt from the bed, snatched up her clothes, the leather pants and gold-sequinned bustier in which she had made her final exit, the night before, from the stage of the city's convention centre. Contemptuously, despairingly, she had surrendered herself to this nobody, this boy less than half her age, she had selected him more or less at random from the backstage throng, the lounge lizards, the slick, flower-bearing suitors, the industrial magnates, the aristotrash, the drug underlords, the tequila princes, all with limousines and champagne and cocaine and maybe even diamonds to bestow upon the evening's star.

The man had begun to introduce himself, to preen and fawn, but she didn't want to know his name or the size of his bank balance. She had picked him like a flower and now she wanted him between her teeth, she had ordered him like a take-home meal and now she alarmed him by the ferocity of her appetites, because she began to feast upon him the moment the door of the limo was closed, before the chauffeur had time to raise the partition that gave the passengers their privacy. Afterwards he, the chauffeur, spoke with reverence of her naked body, while the newspapermen plied him with tequila he whispered about her swarming and predatory nudity as if it were a miracle, who'd have thought she was way the wrong side of forty, I guess somebody upstairs wanted to keep her just the way she was. I would have done anything for such a woman, the chauffeur moaned, I would have driven at two hundred kilometres per hour for her if it were speed she wanted, I would have crashed into a concrete wall for her if it had been her desire to die.

Only when she lurched into the eleventh-floor corridor of the hotel, half dressed and confused, stumbling over the unclaimed newspapers, whose headlines about French nuclear tests in the Pacific and political unrest in the southern province of Chiapas smudged the bare soles of her feet with their shrieking ink, only then did she understand that the suite of rooms she had abandoned was her own, she had slammed the door and didn't have the key, and it was lucky for her in that moment of vulnerability that the person she bumped into was me, Mr. Umeed Merchant, photographer, a.k.a. "Rai," her so to speak chum ever since the old days in Bombay and the only shutterbug within one thousand and one miles who would not dream of photographing her in such delicious and scandalous disarray, her whole self momentarily out of focus and worst of all looking her age, the only image-stealer who would never have stolen from her that frayed and hunted look, that bleary and unarguably bag-eyed helplessness, her tangled fountain of wiry dyed red hair quivering above her head in a woodpeckerish topknot, her lovely mouth trembling an uncertain, with the tiny fjords of the pitiless years deepening at the edges of her lips, the very archetype of the wild rock goddess halfway down the road to desolation and ruin. She had decided to become a redhead for this tour because at the age of forty-four she was making a new start, a solo career without Him, for the first time in years she was on the road without Ormus, so it wasn't really surprising that she was disoriented and off balance most of the time. And lonely. It has to be admitted. Public life or private life, makes no difference, that's the truth: when she wasn't with him, it didn't matter who she was with, she was always alone.

Copyright © 1999 Salman Rushdie, Used by permission