The Inadequate Lamp Shade
One night when she was four and sleeping in the bottom bunk of her bunk bed, Ruth Cole woke to the sound of lovemaking--it was coming from her parents' bedroom. It was a totally unfamiliar sound to her. Ruth had recently been ill with a stomach flu; when she first heard her mother making love, Ruth thought that her mother was throwing up.
It was not as simple a matter as her parents having separate bedrooms; that summer they had separate houses, although Ruth never saw the other house. Her parents spent alternate nights in the family house with Ruth; there was a rental house nearby, where Ruth's mother or father stayed when they weren't staying with Ruth. It was one of those ridiculous arrangements that couples make when they are separating, but before they are divorced--when they still imagine that children and property can be shared with more magnanimity than recrimination.
When Ruth woke to the foreign sound, she at first wasn't sure if it was her mother or her father who was throwing up; then, despite the unfamiliarity of the disturbance, Ruth recognized that measure of melancholy and contained hysteria which was often detectable in her mother's voice. Ruth also remembered that it was her mother's turn to stay with her.
The master bathroom separated Ruth's room from the master bedroom. When the four-year-old padded barefoot through the bathroom, she took a towel with her. (When she'd been sick with the stomach flu, her father had encouraged her to vomit in a towel.) Poor Mommy! Ruth thought, bringing her the towel.
In the dim moonlight, and in the even dimmer and erratic light from the night-light that Ruth's father had installed in the bathroom, Ruth saw the pale faces of her dead brothers in the photographs on the bathroom wall. There were photos of her dead brothers throughout the house, on all the walls; although the two boys had died as teenagers, before Ruth was born (before she was even conceived), Ruth felt that she knew these vanished young men far better than she knew her mother or father.
The tall, dark one with the angular face was Thomas; even at Ruth's age, when he'd been only four, Thomas had had a leading man's kind of handsomeness--a combination of poise and thuggery that, in his teenage years, gave him the seeming confidence of a much older man. (Thomas had been the driver of the doomed car.)
The younger, insecure-looking one was Timothy; even as a teenager, he was baby-faced and appeared to have just been startled by something. In many of the photographs, Timothy seemed to be caught in a moment of indecision, as if he were perpetually reluctant to imitate an incredibly difficult stunt that Thomas had mastered with apparent ease. (In the end, it was something as basic as driving a car that Thomas failed to master sufficiently.)
When Ruth Cole entered her parents' bedroom, she saw the naked young man who had mounted her mother from behind; he was holding her mother's breasts in his hands and humping her on all fours, like a dog, but it was neither the violence nor the repugnance of the sexual act that caused Ruth to scream. The four-year-old didn't know that she was witnessing a sexual act--nor did the young man and her mother's activity strike Ruth as entirely unpleasant. In fact, Ruth was relieved to see that her mother was not throwing up.
And it wasn't the young man's nakedness that caused Ruth to scream; she had seen her father and her mother nakedness was not hidden among the Coles. It was the young man himself who made Ruth scream, because she was certain he was one of her dead brothers; he looked so much like Thomas, the confident one, that Ruth Cole believed she had seen a ghost.
A four-year-old's scream is a piercing sound. Ruth was astonished at the speed with which her mother's young lover dismounted; indeed, he removed himself from both the woman and her bed with such a combination of panic and zeal that he appeared to be propelled--it was almost as if a cannonball had dislodged him. He fell over the night table, and, in an effort to conceal his nakedness, removed the lamp shade from the broken bedside lamp. As such, he seemed a less menacing sort of ghost than Ruth had first judged him to be; furthermore, now that Ruth took a closer look at him, she recognized him. He was the boy who occupied the most distant guest room, the boy who drove her father's car--the boy who worked for her daddy, her mommy had said. Once or twice the boy had driven Ruth and her babysitter to the beach.
Use of this excerpt from A Widow for One Year by John Irving may be made only for purposes of promoting the book, with no changes, editing, or additions whatsoever, and must be accompanied by the following copyright notice: Copyright© 1998 by Garp Enterprises, Ltd. All rights reserved.
Blood at the Root
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