"Don't be so sensitive, Clyde! I'm just tired of this century, so very tired, maybe it's the heat? I think I need a little rest . . ."
I assumed this was an experiment, like my cape, an old habit to which she was returning, and from the clumsy, ambivalent way she crashed around on the wind I understood I was supposed to follow her. Well, too bad. Magreb likes to say she freed me, disabused me of the old stories, but I gave up more than I intended: I can't shudder myself out of this old man's body. I can't fly anymore.
Fila and I are alone. I press my dry lips together and shove dominoes around the table; they buckle like the cars of a tiny train.
"More lemonade, nonno?" She smiles. She leans from her waist and boldly touches my right fang, a thin string of hanging drool. "Looks like you're thirsty."
"Please," I gesture at the bench. "Have a seat."
Fila is seventeen now and has known about me for some time. She's toying with the idea of telling her boss, weighing the sentence within her like a bullet in a gun: There is a vampire in our grove.
"You don't believe me, Signore Alberti?" she'll say, before taking him by the wrist and leading him to this bench, and I'll choose that moment to rise up and bite him in his hog-thick neck. "Right through his stupid tie!" she says with a grin.
But this is just idle fantasy, she assures me. Fila is content to let me alone. "You remind me of my nonno," she says approvingly, "you look very Italian."
In fact, she wants to help me hide here. It gives her a warm feeling to do so, like helping her own fierce nonno do up the small buttons of his trousers, now too intricate a maneuver for his palsied hands. She worries about me, too. And she should: lately I've gotten sloppy, incontinent about my secrets. I've stopped polishing my shoes; I let the tip of one fang hang over my pink lip. "You must be more careful," she reprimands. "There are tourists everywhere."
I study her neck as she says this, her head rolling with the natural expressiveness of a girl. She checks to see if I am watching her collarbone, and I let her see that I am. I feel like a threat again.
Last night I went on a rampage. On my seventh lemon I found with a sort of drowsy despair that I couldn't stop. I crawled around on all fours looking for the last bianchettis in the dewy grass: soft with rot, mildewed, sun-shriveled, blackened. Lemon skin bulging with tiny cellophane-green worms. Dirt smells, rain smells, all swirled through with the tart sting of decay.
In the morning, Magreb steps around the wreckage and doesn't say a word.
"I came up with a new name," I say, hoping to distract her. "Brandolino. What do you think?"
I have spent the last several years trying to choose an Italian name, and every day that I remain Clyde feels like a defeat. Our names are relics of the places we've been. "Clyde" is a souvenir from the California Gold Rush. I was callow and blood-crazed back then, and I saw my echo in the freckly youths panning along the Sacramento River. I used the name as a kind of bait. "Clyde" sounded innocuous, like someone a boy might get a malt beer with or follow into the woods.
Magreb chose her name in the Atlas Mountains for its etymology, the root word ghuroob, which means "to set" or "to be hidden." "That's what we're looking for," she tells me. "The setting place. Some final answer." She won't change her name until we find it.
She takes a lemon from her mouth, slides it down the length of her fangs, and places its shriveled core on the picnic table. When she finally speaks, her voice is so low the words are almost unintelligible.
"The lemons aren't working, Clyde."
Excerpted from Vampires in the Lemon Grove by Karen Russell. Copyright © 2013 by Karen Russell. Excerpted by permission of Knopf, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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