crime and punishment, 1985
artists: caleb and camille fang
Mr. and Mrs. Fang called it art. Their children called it mischief. "You make a mess and then you walk away from it," their daughter, Annie, told them. "It's a lot more complicated than that, honey," Mrs. Fang said as she handed detailed breakdowns of the event to each member of the family. "But there's a simplicity in what we do as well," Mr. Fang said. "Yes, there is that, too," his wife replied. Annie and her younger brother, Buster, said nothing. They were driving to Huntsville, two hours away, because they did not want to be recognized. Anonymity was a key element of the performances; it allowed them to set up the scenes without interruption from people who would be expecting mayhem.
As he sped down the highway, eager for expression, Mr. Fang stared at his son, six years old, in the rearview mirror. "Son," he said. "You want to go over your duties for today? Make sure we have everything figured out?" Buster looked at the rough sketches in pencil that his mother had drawn on his piece of paper. "I'm going to eat big handfuls of jelly beans and laugh really loud." Mr. Fang nodded and then smiled with satisfaction. "That's it," he said. Mrs. Fang then suggested that Buster might throw some of the jelly beans in the air, which everyone in the van agreed was a good idea. "Annie," Mr. Fang continued, "what's your responsibility?" Annie was looking out the window, counting the number of dead animals they had passed, already up to five. "I'm the inside man," she said. "I tip off the employee." Mr. Fang smiled again. "And then what?" he asked. Annie yawned. "Then I get the heck out of there." When they finally arrived at the mall, they were ready for what would come next, the strangeness they would create for such a brief moment that people would suspect it had only been a dream.
The Fangs walked into the crowded mall and dispersed, each pretending the others did not exist. Mr. Fang sat in the food court and tested the focus on the tiny camera hidden in a pair of bulky eyeglasses that made him break out in a rash around his eyes whenever he wore them. Mrs. Fang walked with great purpose through the mall, swinging her arms with a wild, exaggerated motion in order to create the impression that she might be slightly crazy. Buster fished pennies out of the fountains, his pockets damp and overflowing with coinage. Annie bought a temporary tattoo from a kiosk that sold absurd, worthless knickknacks and then went to the restroom to rub the design onto her bicep, a skull with a rose between its teeth. She rolled the sleeve of her T-shirt back down over her arm to cover the tattoo and then sat in one of the bathroom stalls until the alarm on her watch beeped. It was time, and all four of them walked slowly to the bulk-candy shop for the thing that would occur only if each one of them did exactly what was required.
After five minutes of wandering aimlessly through the aisles of the store, Annie tugged on the shirt of the teenage boy behind the register. "You wanna buy something, little girl?" he asked. "You need me to reach something for you? Because I'd be happy to do it." He was so kind that Annie felt slightly ashamed for what she would do next. "I'm not a tattletale," she told him. He looked confused and then leaned closer to her. "What's that, miss?" he asked. "I don't mean to be a tattletale," she said, "but that woman is stealing candy." She pointed at her mother, who was standing by a dispenser filled with jelly beans, a giant silver scoop in her hand. "That woman?" the boy asked. Annie nodded. "You did a good thing today, little girl," he said and handed her a lollipop that also doubled as a whistle as he went to get the manager. Annie unwrapped the lollipop and chomped down on it, the shards of sugar scratching the inside of her mouth, as she leaned against the counter. When she was finished, she took another lollipop from the display and put it in her pocket for later. When the manager and the employee returned from the back room, she walked out of the store and did not turn around, already assured of the scene that would transpire.
Excerpted from The Family Fang by Kevin Wilson. Copyright © 2011 by Kevin Wilson. Excerpted by permission of Ecco. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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No Man's Land
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