You'll have to forgive me for my language. Gin Toad is no longer a lady.
Oh, those men would be unhappy to be deloused the way we out here in Wyalkatchem delouse our sheep. They might even complain to the authorities at the Control Centre, but it would be worth it, because it would make a good story. It's a story we will be telling for years.
Toady told me that when he saw Antonio Cesarini's cordovan wing tips, he gestured to the man to take off his shoes. This consideration didn't save the men from a plunge in the long concrete cesspool that thousands of sheep had just swum through to rid themselves of fleas, ticks, lice and other blood-sucking parasites, but it did save their shoes, and especially the wing tips, which were such a luxury item, an Italianate extravagance. Toady had stroked those shoes while the men drip-dried in the hot spring sunshine; the leather looked as if it had been tanned in blood, and gave off a heady aroma reminiscent of the one and only cigar he had ever smoked. The soles were tissue thin, unscuffed, impossibly new. Toady had just resoled his ancient boots for the third time, with slabs of ironbark.
He tried to remind himself that the Italians were fascist pigs, cowards, and prisoners as well, lowly slaves in the Australian hinterland, but it felt more like jealousy speaking, so he kicked the shoes back to their oily owner, and satisfied himself by thinking he had bruised the bastard things with his boot.
Excerpted from The Paperbark Shoe by Goldie Goldbloom. Copyright © 2011 by Goldie Goldbloom. Excerpted by permission of Picador. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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