Both low and high, rich and poor, together.
My mouth shall speak of wisdom;
and the meditation of my heart shall be of understanding.
It is a noble temptation, that desire to seize the microphone, to refuse to let the world go (for its own good), to subject it to one's wise words and good intentions. Nevertheless, even at gatherings of specialists the conversation must be broken up when the crowd reaches a certain size, so that the participants don't dwell on generalities and are able to address more subjects, able to say more, in smaller groups. There is no such thing as an infinite capacity for communication. Even supposing that every specialist had the same expertise and interest in every subject, there would be no time to address all subjects in a general gathering. Our simple physical limitations decree that as the number of participants rises, the average time for dialogue decreases. The participation of the whole world in a conversation doesn't enrich the dialogue; it diminishes it.
Imagine an agora, a marketplace, a cocktail party, where multiple conversations are underway. The microphone appears. The many circles become one circle, different conversations become the same conversation. Is this a good thing?
It is a myth: a myth of transparency, of the Tower of Babel replaced by a totalitarian I. We complain about the confusion of languages, the multiplicity of conversations, because we dream of the world's undivided attention, beyond the grasp of our finiteness. But culture is a conversation without a center. The true universal culture isn't the utopian Global Village, gathered around a microphone; it is the Babel-like multitude of villages, each the center of the world. The universality accessible to us is the finite, limited, concrete universality of diverse and disparate conversations.
From So Many Books: Reading & Publishing in an Age of Abundance by Gabriel Zaid, chapter 3, pages 25-33. Copyright Gabriel Zaid 2003. Translated by Natasha Wimmer. No part of this book may be reproduced without written permission from the publisher, Paul Dry Books.
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No Man's Land
by Simon Tolkien
Inspired by the experiences of his grandfather, J. R. R. Tolkien, during World War I.
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