It was Wednesday, the second week in April, and Santa Teresa was making a wanton display of herself. The lush green of winter, with its surfeit of magenta and salmon bougainvillea, had erupted anew in a splashy show of crocuses, hyacinths, and flowering plum trees. The skies were a mild blue, the air balmy and fragrant. Violets dotted the grass. I was tired of spending my days closeted in the hall of records, searching out grant deeds and tax liens for clients who were, doubtless, happily pursuing tennis, golf, and other idle amusements.
I suppose I was suffering from a mutant, possibly incurable form of spring fever, which consisted of feeling bored, restless, and disconnected from humanity at large. My name is Kinsey Millhone. I'm a private detective in Santa Teresa, California, ninety-five miles north of Los Angeles. I'd be turning thirty-seven on May 5, which was coming up in four weeks, an event that was probably contributing to my general malaise. I lead a stripped-down existence untroubled by bairn, pets, or living household plants.
On February 15, two months before, I'd moved into new offices, having separated myself from my association with the law firm of Kingman and Ives. Lonnie Kingman had purchased a building on lower State Street, and though he'd offered to take me with him, I felt it was time to be out on my own.
That was my first mistake.
My second was an unfortunate encounter with two landlords in a deal that went sour and left me out in the cold.
My third office-related error was the one I now faced. In desperation, I'd rented space in a nondescript cottage on Caballeria Lane, where a row of identical stucco bungalows were lined up at the curb like the Three Little Pigs. The block--short, narrow, and lined with cars--ran between Santa Teresa Street and Arbor, a block north of Via Madrina, in the heart of downtown. While the price was right and the location was excellent--in easy walking distance of the courthouse, the police station, and the public library--the office itself fell woefully short of ideal.
The interior consisted of two rooms. The larger I designated as my office proper; the smaller I was using as a combination library-and-reception area. In addition, there was a galley-style kitchen, where I kept a small refrigerator, my coffee pot, and my Sparkletts water dispenser. There was also a small fusty half-bath with a sorrowful-looking toilet and sink. The whole of it smelled like mildew, and I suspected at night wee creatures scuttled around the baseboards after all the lights were turned off. By way of compensation, the building's owner had offered unlimited cans of an off-brand paint, and I'd spent the better part of a week rolling coats of white latex over the former pulsating pink, a shade reminiscent of internal organs at work. He'd also agreed to have the rugs cleaned, not that anyone could tell. The beige high-low, wall-to-wall nylon carpeting was matted from long wear and seemed to be infused with despair. I'd arranged and rearranged my desk, my swivel chair, my file cabinets, sofa, and assorted artificial plants. Nothing dispelled the general air of weariness that infected the place. I had plenty of money in savings (twenty-five thousand bucks if it's anybody's business) so, in theory, I could have held out for much classier digs. On the other hand, at three fifty a month, the space was affordable and satisfied one of my basic principles in life, which is: Never, never, never, to live beyond my means. I don't want to be compelled to take on work to meet my overhead. The office is meant to serve me, not the other way around.
Since the bungalows on either side of mine were vacant, I was feeling isolated, which may account for a newfound ambivalence about my single status in a world of married folk. Except for two brief failed marriages, I'd been unattached for most of my natural life. This had never bothered me. More often than not, I rejoiced in my freedom, my mobility, and my solitude. Lately, circumstances had conspired to unsettle my habitual content.
From Q is for Quarry by Sue Grafton, Copyright © October 2002, G. P. Putnam's Sons, a member of Penguin Putnam, Inc., used by permission.
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