The pond made the car's driver nervous. It was shiny bright as a mirror, every star, every constellation, even the path of planes, reflecting back within its dark water and seemingly magnified by the pitch black of the night and the stillness of its surface. Frogs called from its banks, and as the car rolled silently into the circular driveway turnaround a fish jumped and left circles on the surface of the water. At the same moment the car tripped the automatic light at the corner of the house's long porch, and it lit up the drive and the water and the bats that flew crazy eights in search of mosquitoes. The light caught the car itself squarely, so that the two people in the front seat, a boy and girl, each poised between the raw uncertain beauty of adolescence and the duller settled contours of adulthood, were illuminated momentarily as though by the flash from a camera. Their light hair shone, enough alike that at first glance they could have passed for siblings.
"Oh, shit," said the driver, stepping down hard on the brake, so that the car bucked.
"Don't do that," cried the girl. Her hand touched a cardboard box on the backseat, then her own forehead, then dropped to her lap. "I'd kill for a cigarette," she murmured.
"Right," whispered the boy harshly. "So you could have an asthma attack right here and wake everybody up."
"That's not why I'm not smoking," the girl muttered.
"Let's just get this over with," he said.
The car glided to the corner of the big garage, with its five bays. There was a narrow door on one side of the oblong building, and three flagstone steps leading to it. The boy had oiled the doors of the car that morning, with a foresight and industry and stealth the girl had not expected of him. They had both surprised each other and themselves in the last two days, he with his hardness and his determination, she with her weakness and her grief. Anyone familiar with the love affairs between men and women could have told them that theirs would soon be over.
As he slid out and opened the back door there was almost no sound, only the sort of clicks and snaps that could have been a moth hitting a screen or a raccoon stepping on a stick in the woods that stretched behind the garage and into the black of the mountains and the night. The girl was huddled against the door on her side now, all folded in upon herself like an old woman, or like a child who'd fallen asleep on a long journey; she heard the sounds of him as though they were musical notes, each distinct and clear, and her shoulders moved slightly beneath her shirt, and her hands were jammed between her knees. She felt as though they were somehow alone in the world, almost as though the house and its surroundings were a kind of island, floating in a deep sea of ordinary life through which the two of them would have to swim back to shore by driving back up the drive.
She thought this feeling was because of the boy, and the box, and the night, and the ache in her slack belly and her bruised groin, and the pain in her chest that might have been the beginning of an asthma attack. But she was only the latest in a long line of people who had felt that Blessings was somehow a place apart. In the moonlight the high points of it, the faint luster of the slate roof of the house, the shed on the knoll where the gardener had always kept his tools, the small white boathouse at one end of the pond: all of them were set in high sepia relief like the photograph hung carelessly now on the short wall of the library, the one of Edwin Blessing, who bought the place when it was just another old farm and lavished money on it in the years when he had money to spend. The people from Mount Mason who worked there, washing up at the parties in the old days, fixing frozen pipes for the old lady in the years after the parties ended: they all said it was like going somewhere out of this world, the quiet, the clean smells, the rooms and rooms full of polished furniture and toile draperies, which they only glimpsed through half-open doorways. Above all the pond, the gardens, the land. The real world tried to intrude from time to time upon Blessings, but usually the real world failed.
Excerpted from Blessings by Anna Quindlen. Copyright 2002 by Anna Quindlen. Excerpted by permission of Random House, a division of Random House, Inc. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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No Man's Land
by Simon Tolkien
Inspired by the experiences of his grandfather, J. R. R. Tolkien, during World War I.
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