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Elizabeth spent her childhood moving home every three years - including living for brief periods in Egypt and Nigeria before moving to Guildford, York and Edinburgh.
After graduating from the University of Kent at Canterbury with a double honours degree in English and History, she began her career as a blurb writer at Penguin Books. This was a job which required the hide of a rhinoceros, a nimble mind and the - occasional - box of tissues. People tend to shout at blurb writers but they are resourceful creatures which she and the team proved by continuing to produce a stream of copy for back jackets through thick and thin. Looking back, it was a golden era. Not many people are paid to spend their time reading through the treasury which is Penguin Books and there was no better education.
Later, after having married and producing two children, she moved on to become a fiction editor at Random House before leaving to write full time which was something she had always planned to do since childhood - when she was frequently caught reading under the bedclothes with a torch after being put to bed which gave both books and reading a deliciously subversive tinge.
Elizabeth Buchan's short stories are broadcast on BBC Radio 4 and published in magazines. She reviews for the Sunday Times (UK) and has chaired the Betty Trask and Desmond Elliot literary prizes, and also been a judge for the Whitbread (now Costa) awards. She is a patron of the Guildford Book Festival and a past Chairman of the Romantic Novelists' Association.
From the author's website
Elizabeth Buchan's website
This bio was last updated on 01/09/2014. We try to keep BookBrowse's biographies both up to date and accurate, but with many thousands of lives to keep track of it's a tough task. So, please help us - if the information about this author is out of date or inaccurate, and you know of a more complete source, please let us know. Authors and publishers: If you wish to make changes to a bio, send the complete biography as you would like it displayed so that we can replace the old with the new.
You weave the narrative beautifully between the joys and sorrows of her
time with Hal and her marriage to Nathan. Why did you choose to frame the story
this way?
One of the points I wanted to explore was about timing. When we make our
choices—to marry, to have children, to change jobs,
etc....has a direct bearing on how successful or not our lives will be. Rose
knew she wanted children and, however intense and addictive her feelings for
Hal, it was not likely to happen with Hal, who wanted different things.
Reflecting on her history helps Rose to clarify the muddle and anguish left by
the breakdown of her marriage, and also to suggest these ideas to the reader.
Amplifying the same point, Nathan chooses to step back out of one cycle that is
coming to an end, only to find he is back in the same place, and is now faced at
fifty-something with a reduced income, a wife, and twins. More important,
perhaps, he has deprived himself of a peace and freedom that he might have
expected after the hurly-burly of raising one family.
Ianthe has always been completely unsupportive of Rose. To what degree do
you think this influenced Rose in the choices she made?
Again, one of the points I thought would be interesting to write...
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Carrie Kabak is an author, illustrator and graphic designer. She is the author of an Independent Booksellers' Pick, Cover the Butter. Her essays appear in "For Keeps" and "He Said What?" (Seal Press), "Exit Laughing" (North ... (more)
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