Author Biography | Interview | Books by this Author | Read-Alikes
Tim Johnston is the author of the novels Distant Sons, Descent, The Current, the story collection Irish Girl, and the Young Adult novel Never So Green. A New York Times, USA Today, and Indie national bestseller, Descent has been published internationally and optioned for film. Also optioned for film, The Current won the Midland Authors 2020 Adult Fiction Award. The stories of Irish Girl won an O. Henry Prize, the New Letters Award for Writers, and the Gival Press Short Story Award, while the collection itself won the 2009 Katherine Anne Porter Prize in Short Fiction. Tim's stories have appeared in New England Review, New Letters, The Iowa Review, The Missouri Review, Double Take, Best Life Magazine, and Narrative Magazine, among others. After earning degrees from the University of Iowa and the University of Massachusetts, Amherst, Tim made a living for twenty-five years as a carpenter. He is the recipient of the 2015 Iowa Author Award and currently lives in Iowa City, Iowa.
Tim Johnston's website
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Descent is essentially a literary page-turner with a plot ripped from the headlines—a teenage girl mysteriously disappears while out on a run—but the telling of the story is so unlike any other thriller. You go into remarkable depth about how this sudden disappearance affects every family member, showing each character's own secrets and tribulations. Can you talk a bit about the inspiration for your novel?
This story, and these characters, snuck up on me as I was doing the finish work on a house way up in the Rocky Mountains. I was all alone up there for months, happy just being a carpenter for a while—that is to say, not actively trying to write—when this family of four, the Courtlands, became so prevalent, so insistent in my head that one day I had to drop what I was doing—painting a bathroom, as it happens—and begin writing.
The inspiration was a combination of the solitude, the carpentry, the astounding mountains themselves, and the books I was reading at the time, which were infused with an American West harshness, vastness, and lyricism that thrilled me. This was suddenly the kind of novel I wanted to write—although it would be a long time before I would admit to anyone, least of...
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