Glen David Gold is best known as the author of Carter Beats the Devil, a fictionalized biography of Charles Joseph Carter (1874-1936), an American illusionist performing from c.1900-1936. He writes in a narrative style, and the book was hailed as a very respectable venture into historical fiction. Gold is married to author Alice Sebold. The couple lives in San Francisco, California. His next novel, Sunnyside, is due for publication in May 12th, 2009. His short stories, including "The Tears of Squonk," have appeared in a number of issues of McSweeney's.
Gold wrote a single episode of the cartoon show Hey Arnold, in which title character Arnold stages an amateur magic show and "disappears" his friend Helga, who escapes during the trick, causing Arnold and the others to think she really has disappeared. The episode aired in 1997.
Gold has also ventured into comic books, writing a short story featuring Will Eisner's classic creation The Spirit, the story, entitled 'One Hundred!' features artwork by Eduardo Risso and appeared in DC's The Spirit #13.
This biography was last updated on 03/26/2014.
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Behind the Screens of Sunnyside
In the age of online celebrity/fan forums, DVD making-of extras, directors commentaries and pop-culture conventions, it seems more than ever that a work of arts communication with its audience will always be two-way. But the impulse to pull back the curtain has been with us for as long as there have been stages or screens behind it. Having looked under the hood of the modern media machines first days and inside the minds of some of its major figures, Glen David Gold sat down to converse with writer and cultural critic Adam McGovern about Sunnysides own secretsand showed that knowing some of the mysteries doesnt take away the magic.
AM: We get to play long-form bookstore Q & A here. What's the most revealing question I can start with?
GDG: Here's a terrible secret that will get me blackballedthe most frightening question you can ask a writer is "What about this book makes you most insecure?"
I am more insecure about Sunnyside than Carter Beats the Devil. Sunnyside masquerades as a romp-with-detours, but behind the curtain are layers of complex, flickering ideas. Hence my slightly higher-than-...
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