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The Age of Certainty and the Demise of Discourse
An incisive, culturally observant analysis of the evolving mores, manners and taboos of social justice ("anti-racist") orthodoxy, which has profoundly influenced how we think about diversity and freedom of expression, often with complex or paradoxical consequences.
In this provocative book, Thomas Chatterton Williams, one of the most revered and reviled social commentators of our time, paints a clear and detailed picture of the ideas and events that have paved the way for the dramatic paradigm shift in social justice that has taken place over the past few years. Taking aim at the ideology of critical race theory, the rise of an oppressive social media, the fall from Obama to Trump, and the twinned crises of COVID-19 and the murder of George Floyd, Williams documents the extent to which this transition has altered media, artistic creativity, education, employment, policing, and, most profoundly, the ambient language and culture we use to make sense of our lives.
Williams also decries how liberalism—the very foundation of an open and vibrant society—is in existential crisis, under assault from both the right and the left, especially in our predominantly networked, Internet-driven monoculture.
Sure to be highly controversial, Summer of Our Discontent is a compelling look at our place in a radically changing world.
"A thoughtfully reasoned contribution to the literature of race and racism in our time." —Kirkus Reviews
"[K]een insights are too often set aside in favor of revisiting notorious examples of cancel culture run amuck that have already been exhaustively hashed out by anti-woke critics. The result is a serious effort to take stock of the illiberalism besetting contemporary American culture that too often gets bogged down in its own anti-wokeism." —Publishers Weekly
"Mass insanity broke out among America's elites in the summer of 2020, with devastating consequences for America's knowledge-creating institutions. Thomas Chatterton Williams is one of the few intellectuals who stood firm and made the case with great courage for liberal values and the free exchange of ideas. In Summer of our Discontent he returns with a gift: a way of understanding what happened to us that preserves the humanity of all parties and points the way forward toward renewal." —Jonathan Haidt, #1 New York Times bestselling author of The Anxious Generation
"Thomas Chatterton Williams uses a fiercely probing intelligence, instinctively dissatisfied with absolutist explanations, to explore without ideological blindfolds what happened in one momentous summer. Camus would have liked this book." —Adam Gopnik, bestselling author of The Real Work
"Thomas Chatterton Williams manages to make moral and cultural sense of a profoundly perplexing time. By seeing clearly, reflecting honestly, writing with real power and style, and beginning from the premise that no faction is entirely right or entirely wrong, he offers genuine illumination. This is an essential book." —Yuval Levin, author of American Covenant
This information about Summer of Our Discontent was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Photo: Luke Abiol
Thomas Chatterton Williams holds a Bachelor’s degree in philosophy from Georgetown University and a Master’s degree from the Cultural Reporting and Criticism program at New York University. In 2007, he wrote an op-ed piece entitled “Yes, Blame Hip-Hop” for the Washington Post which generated a record-breaking number of comments. He writes for the literary magazine n+1 and currently lives in Brooklyn.
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