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Published Aug 2022
296 pages
Genre: Historical Fiction
Paperback Original.
Publication Information
Based on a true story, this is the tale of Adélaïe Labille-Guiard's fight to take her rightful place in the competitive art world of eighteenth-century Paris.
With a beautiful rival who's better connected and better trained than she is, Adélaïde faces an uphill battle. Her love affair with her young instructor in oil painting gives rise to suspicions that he touches up her work, and her decision to make much-needed money by executing erotic pastels threatens to create as many problems as it solves. Meanwhile, her rival goes from strength to strength, becoming Marie Antoinette's official portraitist and gaining entrance to the elite Académie Royale at the same time as Adélaïde.
When at last Adélaïde earns her own royal appointment and receives a massive commission from a member of the royal family, the timing couldn't be worse: it's 1789, and with the fall of the Bastille her world is turned upside down by political chaos and revolution. With danger around every corner in her beloved Paris, she must find a way adjust to the new order, carving out a life and a career all over again—and stay alive in the process.
"Dunlap offers a historical novel loosely based on the life of French miniaturist painter Adélaïde Labille-Guiard, who forged a career even though the odds were against her...An imaginative work that brings the story of a little-known artist to vivid life." - Kirkus Reviews
"Written with breathless drama, The Portraitist follows the rise of the gifted portraitist Adélaïde Labille-Guiard in Paris during the last years of the late eighteenth century. The novel is a luminous depiction of Paris and those terrible times seen through the astute, compassionate eyes of a woman who had to paint. Every bit of lace or royal carriage or bloody cobblestone is alive in the writing. The rain drumming on the skylight and a misbuttoned coat speak. Go to those streets with this book in your hand to follow her footsteps and those long-gone, turbulent times will come alive to you as if they were yesterday." - Stephanie Cowell, award-winning author of Claude and Camille
"Deeply researched and imagined, The Portraitist offers a fascinating and dramatic plunge into the world of a brilliant female artist struggling to make her mark before and during the turbulent and treacherous era of the French Revolution. I loved this novel." - Sandra Gulland, internationally best-selling author of The Josephine B. Trilogy
"In The Portraitist, Susanne Dunlap skillfully paints a portrait of a woman struggling to make her way in a man's world--a topic as relevant today as it was in Ancien Régime France. Impeccably researched, rich with period detail, Dunlap brings to life the little-known true story of Adelaide Labille-Guiard, who fought her husband and society to make a name for herself as a painter to the royal family, the very apex of success--only to find everything she had built threatened by the Revolution. A stunning story of determination, talent, and reversals of fortune. As a lifelong Elisabeth Vigée Le Brun fan, I am now questioning my allegiances!" - Lauren Willig, best-selling author of The Summer Country
This information about The Portraitist was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
History is Susanne Dunlap's muse. She loves writing, dogs, cycling, and writing.
She's fascinated by the women of the past, how they lived, how they negotiated with the conditions of their time to thrive as best they could. She's written about real historical women and invented characters who might have lived then.
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