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by Kevin Powers
Set in Virginia during the Civil War and a century beyond, this novel by the award-winning author of The Yellow Birds explores the brutal legacy of violence and exploitation in American society.
Spanning over one hundred years, from the antebellum era to the 1980's, A Shout in the Ruins examines the fates of the inhabitants of Beauvais Plantation outside of Richmond, Virginia. When war arrives, the master of Beauvais, Anthony Levallios, foresees that dominion in a new America will be measured not in acres of tobacco under cultivation by his slaves, but in industry and capital. A grievously wounded Confederate veteran loses his grip on a world he no longer understands, and his daughter finds herself married to Levallois, an arrangement that feels little better than imprisonment. And two people enslaved at Beauvais plantation, Nurse and Rawls, overcome impossible odds to be together, only to find that the promise of coming freedom may not be something they will live to see.
Seamlessly interwoven is the story of George Seldom, a man orphaned by the storm of the Civil War, looking back from the 1950s on the void where his childhood ought to have been. Watching the government destroy his neighborhood to build a stretch of interstate highway through Richmond, he travels south in an attempt to recover his true origins. With the help of a young woman named Lottie, he goes in search of the place he once called home, all the while reckoning with the more than 90 years he lived as witness to so much that changed during the 20th century, and so much that didn't. As we then watch Lottie grapple with life's disappointments and joys in the 1980's, now in her own middle-age, the questions remain: How do we live in a world built on the suffering of others? And can love exist in a place where for 400 years violence has been the strongest form of intimacy?
Written with the same emotional intensity, harrowing realism, and poetic precision that made The Yellow Birds one of the most celebrated novels of the past decade, A Shout in the Ruins cements Powers' place in the forefront of American letters and demands that we reckon with the moral weight of our troubling history.
"A masterpiece. Powers has written a novel that includes all the ferocity, complexity, and racial violence of the American South." - Philipp Meyer, author of American Rust
"A Shout in the Ruins is confirmation, if it were needed, that Kevin Powers is a writer of rare talent." - Financial Times
"Much as in The March E.L. Doctorow's epic civil war novel, Mr. Powers gives a strong sense of a vast body of humanity caught up in a tumult that still reverberates today... Above all this troubling, stirring book is informed by Mr. Powers's deep understanding of war's complexities, and of how people are broken and shaped by it." - The Economist
"The characters in Powers' bleak, stunning novel are subject to indignities too countless and cruel to name. Like his debut, The Yellow Birds, it's a searing look at the ravages of war, and how violence can shape a nation in ways that may never be fully recoverable.... It won't surprise anyone who's read The Yellow Birds that Powers is a hell of a writer. His use of language in A Shout in the Ruins - inspired, perhaps, by William Faulkner - is nothing short of brilliant, and he connects with his characters in a very real way; he explores their psyches with an uncommon sensitivity." - Michael Schaub, NPR
"Powers brings to Virginia battle scenes the same searing immediacy he brought to his stories of carnage in The Yellow Birds." - Ron Charles, Washington Post
"Starred Review. With a complex structure reminiscent of Faulkner, Powers adroitly weaves his narrative threads together with subtle connections that reinforce his themes of longing for coherence and the continuing effect of the past on the present. An impressive novel of slavery, destruction, and the arduous difficulties of love." - Kirkus
"Some passages in Powers' second novel, following his awarding-winning The Yellow Birds (2012), unfold with a fable's tragic inevitability, while specificity of setting and character, both strikingly described and original, will brand them into the reader's consciousness ... Beautifully formed sentences express unsettling truths about humanity, yet tendrils of hope emerge, showing how love and kindness can take root in seemingly barren earth." - Booklist
"A masterly meditation on our unbreakable connection to a world predicated on cyclical violence." - Library Journal
"Guided by a homing instinct for human truths, A Shout in the Ruins is a daring voyage into and out of the darkest era in American history" - Observer
"Suitably unvarnished, but not without moments of beauty or deep emotion. A Shout in the Ruins brushes aside myth and romanticism for a clear-eyed look at American heritage." - Shelf Awareness
This information about A Shout in the Ruins was first featured
in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. Publication information is for the USA, and (unless stated otherwise) represents the first print edition. The reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that they do not properly reflect the range of media opinion now available, send us a message with the mainstream reviews that you would like to see added.
Any "Author Information" displayed below reflects the author's biography at the time this particular book was published.
Kevin Powers was born and raised in Richmond, Virginia. He has been a finalist for the National Book Award and a recipient of the PEN/Hemingway Award, The Guardian First Book Award, the Prix Littéraire du Monde Prix Étranger, and the Grand Prix de Littérature Américaine, among other prizes, and his books have been translated into more than a dozen languages. He was a James A. Michener Fellow in Poetry at the University of Texas at Austin from 2009–2012 and has held a Guggenheim Fellowship in Fiction. A US Army veteran of the Iraq war, he lives on Florida's First Coast with his family.
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