In a novel that is at once uproariously funny and achingly sad, Allison Pearson captures the guilty secret lives of working women--the self-recrimination, the comic deceptions, the giddy exhaustion, the despair--as no other writer has.
For every woman trying to strike that impossible balance between work and home--and pretending that she has--and for every woman who has wanted to hurl the acquaintance who coos admiringly, "Honestly, I just don't know how you do it," out a window, here's a novel to make you cringe with recognition and laugh out loud. With fierce, unsentimental irony, Allison Pearson's novel brilliantly dramatizes the dilemma of working motherhood at the start of the twenty-first century.
Meet Kate Reddy, hedge-fund manager and mother of two. She can juggle nine different currencies in five different time zones and get herself and two children washed and dressed and out of the house in half an hour. In Kate's life, Everything Goes Perfectly as long as Everything Goes Perfectly. She lies to her own mother about how much time she spends with her kids; practices pelvic floor squeezes in the boardroom; applies tips from Toddler Taming to soothe her irascible boss; uses her cell phone in the office bathroom to procure a hamster for her daughter's birthday ("Any working mother who says she doesn't bribe her kids can add Liar to her résumé"); and cries into the laundry hamper when she misses her children's bedtime.
In a novel that is at once uproariously funny and achingly sad, Allison Pearson captures the guilty secret lives of working women--the self-recrimination, the comic deceptions, the giddy exhaustion, the despair--as no other writer has. Kate Reddy's conflict -- How are we meant to pass our days? How are we to reconcile the two passions, work and motherhood, that divide our lives? --gets at the private absurdities of working motherhood as only a novel could: with humor, drama, and bracing wisdom.
Monday, 1:37 a.m.
How did I get here? Can someone please tell me that? Not in this kitchen, I mean in this life. It is the morning of the school carol concert and I am hitting mince pies. No, let us be quite clear about this, I am distressing mince pies, an altogether more demanding and subtle process.
Discarding the Sainsbury luxury packaging, I winkle the pies out of their pleated foil cups, place them on a chopping board and bring down a rolling pin on their blameless floury faces. This is not as easy as it sounds, believe me. Hit the pies too hard and they drop a kind of fat-lady curtsy, skirts of pastry bulging out at the sides, and the fruit starts to ooze. But with a firm downward motion--imagine enough pressure to crush a small beetle--you can start a crumbly little landslide, giving the pastry a pleasing homemade appearance. And homemade is what I'm after here. Home is where the heart is. Home is where the good mother is, baking for her children.
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