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Notes on a Bright Continent
by Dipo FaloyinAn exuberant, opinionated, stereotype-busting portrait of contemporary Africa in all its splendid diversity, by one of its leading new writers.
So often, Africa has been depicted simplistically as a uniform land of famines and safaris, poverty and strife, stripped of all nuance. In this bold and insightful book, Dipo Faloyin offers a much-needed corrective, weaving a vibrant tapestry of stories that bring to life Africa's rich diversity, communities, and histories.
Starting with an immersive description of the lively and complex urban life of Lagos, Faloyin unearths surprising truths about many African countries' colonial heritage and tells the story of the continent's struggles with democracy through seven dictatorships. With biting wit, he takes on the phenomenon of the white savior complex and brings to light the damage caused by charity campaigns of the past decades, revisiting such cultural touchstones as the KONY 2012 film. Entering into the rivalries that energize the continent, Faloyin engages in the heated debate over which West African country makes the best jollof rice and describes the strange, incongruent beauty of the African Cup of Nations. With an eye toward the future promise of the continent, he explores the youth-led cultural and political movements that are defining and reimagining Africa on their own terms.
The stories Faloyin shares are by turns joyful and enraging; proud and optimistic for the future even while they unequivocally confront the obstacles systematically set in place by former colonial powers. Brimming with humor and wit, filled with political insights, and, above all, infused with a deep love for the region, Africa Is Not a Country celebrates the energy and particularity of the continent's different cultures and communities, treating Africa with the respect it deserves.
Excerpt
Africa Is Not a Country
IDENTITIES form specifically.
I come from a place that exists somewhere between a pot of Jollof rice in the busiest kitchen in West Africa and a living room full of revolving main characters. I delight in discussion because I am forged from my family's most consistent ritual: gathering too many people in a confined space and arguing about nothing – each person giving their opinion on each person's opinion. I was born to people with conflicting recollections of events where they were both present. I grew up surrounded by family forever complaining that someone else is not telling the story right, either in accuracy or with the requisite flair. In our home, history isn't written by the winner but by whoever speaks first.
My mother is a people person, a crowd-pleaser. She is never more comfortable than when she is uncomfortable, cocooned by unfolding events out of her control, where the solution is always a family meeting. From her I inherited my ...
Joys and revelations abound in Africa Is Not a Country, but perhaps the most satisfying aspect is Faloyin's ability to weave together Africa's painful past with its infinite promise for a brighter future — on its own terms. Highlighting the more positive developments, such as the "significant rise in the number of elected female legislators and women selected for high-ranking government positions" throughout Africa, Faloyin circles back around to the power of individual human beings to be effective in their communities. In the pages of Faloyin's tender and (ir)reverent paean to Africa, the reader will find a very bright continent, indeed...continued
Full Review (933 words)
(Reviewed by Peggy Kurkowski).
What exactly is a white-savior complex (also known as white saviorism)? In Dipo Faloyin's Africa Is Not a Country: Notes on a Bright Continent, the definition is not as important as the negative impacts upon those who experience it.
According to Black Equality Resources, white-savior complex is defined as "an idea in which a white person, or more broadly a white culture, 'rescues' people of color from their own situation." The phenomenon manifests most visibly in the realms of media, activism and volunteerism, and essentially "imposes the notion that the white person knows what communities of color need, rather than listening to how they can truly be of help."
This insidious complex was roundly condemned 10 years ago in an article by ...
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