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Critics' Opinion:
Readers' Opinion:
First Published:
Jun 2022, 416 pages
Paperback:
Jan 2024, 464 pages
Book Reviewed by:
Jane McCormack
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Winner of the 2022 BookBrowse Fiction Award
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American history.
Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion's bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
THEO
Georgetown, Washington, DC
2019
The deceptively reductive forms of the artist's work belie the density of meaning forged by a bifurcated existence. These glyphs and ideograms signal to us from the crossroads: freedom and slavery, White and Black, rural and urban.
No. Nup. That wouldn't do. It reeked of PhD. This was meant to be read by normal people.
Theo pressed the delete key and watched the letters march backward to oblivion. All that was left was the blinking cursor, tapping like an impatient finger. He sighed and looked away from its importuning. Through the window above his desk, he noticed that the elderly woman who lived in the shabby row house directly across the street was dragging a bench press to the curb. As the metal legs screeched across the pavement, Clancy raised a startled head and jumped up, putting his front paws on the desk beside Theo's laptop. His immense ears, like radar dishes, twitched toward the noise. Together, Theo and the dog ...
BookBrowse Awards
2022
Geraldine Brooks creates a powerful backstory for 19th-century thoroughbred racehorse Lexington, weaving a rich tapestry of historical and current-day narratives that aptly reflect how the legacy of slavery still ripples through America. The historic underpinnings of the work are as spellbinding as the characters. Whether Brooks is chronicling the history of thoroughbred racing, exploring the impact of the Civil War on African American jockeys, or detailing the nuances of American equestrian art, it is all equally engrossing...continued
Full Review
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(Reviewed by Jane McCormack).
On its face, the end of the Civil War should have marked a time in which African Americans would be afforded freedom. But the end of slavery did not mean the end of Black oppression. Many white Americans built their fortunes on, and were heavily entrenched in, slavery's infrastructure. These individuals, as well as others, bore great resentment for freed slaves, viewing them as a direct threat to their livelihoods. Rather than reveling in newfound freedom, many Black Americans faced hostility and bitterness, including those in the thoroughbred racing industry. Black jockeys and trainers who once found success in their fields now found a target on their backs.
As Geraldine Brooks notes in the Afterword of Horse, the "thriving" horse ...
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