Summary | Excerpt | Reading Guide | Reviews | Beyond the book | Read-Alikes | Genres & Themes | Author Bio
Critics' Opinion:
Readers' Opinion:
First Published:
Apr 2017, 368 pages
Paperback:
Apr 2018, 368 pages
Book Reviewed by:
BookBrowse First Impression Reviewers
Buy This Book
Intelligent, thrilling, and richly detailed, If We Were Villains is a captivating story of the enduring power and passion of words.
Oliver Marks has just served ten years in jail – for a murder he may or may not have committed. On the day he's released, he's greeted by the man who put him in prison. Detective Colborne is retiring, but before he does, he wants to know what really happened a decade ago.
As one of seven young actors studying Shakespeare at an elite arts college, Oliver and his friends play the same roles onstage and off: hero, villain, tyrant, temptress, ingénue, extra. But when the casting changes, and the secondary characters usurp the stars, the plays spill dangerously over into life, and one of them is found dead. The rest face their greatest acting challenge yet: convincing the police, and themselves, that they are blameless.
SCENE 1
The time: September 1997, my fourth and final year at Dellecher Classical Conservatory. The place: Broadwater, Illinois, a small town of almost no consequence. It had been a warm autumn so far.
Enter the players. There were seven of us then, seven bright young things with wide precious futures ahead of us, though we saw no farther than the books in front of our faces. We were always surrounded by books and words and poetry, all the fierce passions of the world bound in leather and vellum. (I blame this in part for what happened.) The Castle library was an airy octagonal room, walled with bookshelves, crowded with sumptuous old furniture, and kept drowsily warm by a monumental fireplace that burned almost constantly, regardless of the temperature outside. The clock on the mantel struck twelve, and we stirred, one by one, like seven statues coming to life.
"'Tis now dead midnight," Richard said. He sat in the largest armchair like it was a throne, long legs outstretched, feet...
She has an incredible gift for prose. I can hardly wait for her next book! (Melinda H). I loved every minute of it, thought it was brilliantly done, and was thoroughly captivated by the players and curious how it would end. A very special, well-thought-out, and well-executed debut novel (Diane S). This is one of the most intriguing, intricate and clever novels I've read in a long while (Shaun D)...continued
Full Review
(1136 words)
This review is available to non-members for a limited time. For full access,
become a member today.
(Reviewed by BookBrowse First Impression Reviewers).
Cynthia D'Aprix Sweeney, New York Times bestselling author of The Nest
Much like Donna Tartt's The Secret History, M. L. Rio's debut is a richly layered story of love, friendship, and obsession...If We Were Villains will keep you riveted through its final, electrifying moments. Emily St. John Mandel, New York Times bestselling author of Station Eleven
This is a rare and extraordinary novel: a vivid rendering of the closed world of a conservatory education, a tender and harrowing exploration of friendship, and a genuinely breathtaking literary thriller. I can't recommend this book highly enough, and can't wait to read what M. L. Rio writes next. Miranda Beverly-Whittemore, New York Times bestselling author of Bittersweet and June
Full of friendship, betrayal, and passionate devotion, this is a page-turning literary thriller whose final, shocking twist you won't soon forget.According to Guinness World Records, William Shakespeare is the world's best-selling playwright, with in excess of four billion copies of his plays and poetry making it to press over the centuries. He is also history's most filmed author; his works have been adapted into 420 feature film and TV-movie versions (Hamlet alone has been performed on screen 79 times). While his plays are timeless works of art, some people find them challenging due to the Elizabethan prose. Over the years many attempts have been made to adapt the plays into a format that contemporary audiences might find more accessible (some resulting in a more faithful interpretation than others).
The past 25 years in particular have seen a rise in the production of ...
This "beyond the book" feature is available to non-members for a limited time. Join today for full access.
If you liked If We Were Villains, try these:
by Peter Swanson
Published 2021
From the hugely talented author of Before She Knew Him comes a chilling tale of psychological suspense and an homage to the thriller genre tailor-made for fans: the story of a bookseller who finds himself at the center of an FBI investigation because a very clever killer has started using his list of fiction's most ingenious murders.
by Molly Booth
Published 2017
A teenager working on her high school's production of Hamlet and falls through the stage trap door, into the basement of The Globe Playhouse in 1601.
The Flower Sisters
by Michelle Collins Anderson
From the new Fannie Flagg of the Ozarks, a richly-woven story of family, forgiveness, and reinvention.
The House on Biscayne Bay
by Chanel Cleeton
As death stalks a gothic mansion in Miami, the lives of two women intertwine as the past and present collide.
The Funeral Cryer by Wenyan Lu
Debut novelist Wenyan Lu brings us this witty yet profound story about one woman's midlife reawakening in contemporary rural China.
Your guide toexceptional books
BookBrowse seeks out and recommends the best in contemporary fiction and nonfiction—books that not only engage and entertain but also deepen our understanding of ourselves and the world around us.
